I like passion in voices. I like passion in music. And I find that, sometimes with today's music, it's just so perfect - it's that high fidelity and all of the auto-tuning and all that stuff. It's too perfect for my ears.
Naturally, no one knows more about music than musicians. They talk about their own work all the time, but they rarely get to talk about other people's music.
I grew up in a kibbutz in the Galilee, but we were surrounded by Arabic villages, so I heard all these sounds and all this music. My father was very close friends with one of the Bedouin tribes, so I would always go there, to weddings, and I was alwa...
I think that hip-hop has done what it was supposed to have done, which is it defied all the laws of what is statistically a music genre and what statistically is not a music genre. Because it wasn't supposed to be here.
I was always into music. And none of my friends were really into music the same way I was. So it was just different. It was really not very well understood by most of my friends. They didn't tease me about it - they just didn't really relate.
Music videos were this lucky career opportunity. They were assignments. I was providing a service, and they were meant to be punchy and gimmicky and fun.
There's so much excellent new music around that I can't afford to buy it all and I haven't the time to review as much as I'd like. I can't remember a better time to be a musician or to listen to music!
Soul music is soul music. It can be wrapped up in a neo soul package; it can be called hip-hop soul. But soul is soul, and it's been around; it will never go away.
I'm really maturing into soul music. It's not my attempt or karaoke try. I feel like I really embody the music now that I am 36.
My obsession with outer space is my way of being different. I make astronaut music. It takes an astronaut so long to get to space - that's how long it takes to catch up on my music.
I've always thought of music as something which gives the words their flight and their wings and the music often comes first, although sometimes I'll have a concept, a title idea, a lyric idea that I want to write and the lyric will come first.
That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human conditio...
The only people who have doubts about the sincerity of my music are people who come to it relatively late, off the back of having seen me in a film. Acting is about being other people, and music is about being myself.
People are always defining and re-defining music. My style of playing has been characterized as smooth jazz and acid jazz. I listen as I play; I'm not caught up in defining the type of music I play.
I came up in Brooklyn singing doo-wop music from the time I was 13 to the time I was 20. That music served a purpose of keeping a lot of people out of trouble, and also it was a passport from one neighborhood to another.
I've programmed myself musically to come up with love-feeling tracks that are romantic, sexy, but classy, all in one. And that's the challenge. Once I create that music, then the lyrical content starts to come - you know, the stories and things like ...
I really was kind of like a musical nerd. I would watch VH1's 'Behind The Music.' That was heavy when I was a kid. I would sit up and want to watch that all day instead of going outside sometimes.
For me, when I grew up playing music, I played music in church and people were shouting and having a big time, and church wasn't something where it was subdued. If you played something, you brought it to church with you.
Since I was a kid, I've had an absolute obsession with particular kinds of American music. Mississippi Delta blues of the Thirties, Chicago blues of the Fifties, West Coast music of the mid-Sixties - but I'd never really touched on dark Americana.
I grew up on Bach and Beethoven, and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff.
