Yeah, it's funny, working on a show with as large a cast as we have here, your work gets sort of compartmentalized. There's still about half the cast that I've never had a scene with but I have missed working with Terry.
As I've always said, preproduction is so important. When you cast the actors, you've done much of the work. Now, you may need to guide them a little, take it up or down, have them go faster or slower, but the casting process is crucial.
I'm not particularly fond of the hybrid writer-director or actor-director.
An actor puts himself in the hands of a director. And the director's first responsibility, obviously, is to tell the story, but the smallest thing that's not true reads on the screen. So if a director sees that an actor is not believable, he needs to...
Mel is a great director because he's not just a director, he's an actor, so he knows how to direct actors. I loved working with him. He's great as a director. He's so intelligent. He's generous. I really loved him.
David Boreanaz is actually a very good director and he directed one of our episodes. Excellent director, knew exactly what he wanted. We never had long days with David. He was great, he knew exactly what he wanted and he's a fantastic director.
The director's who want to be innovative use the DVD as a tool to see what people have done in the past and you have other people who will actually take from better directors and that makes them better directors.
When I'm working on the scripts or working with the other actors or rehearsing with the director, and when the director is cutting the movie, and we've shot the scene, the director is not looking at the visual effects.
I'm trying to work only with established, respected directors. I took a lot of bad scripts and worked for a lot of lazy directors, and it was discouraging to go to the screenings and see that the director had added nothing, the editor had added nothi...
The gatekeepers are worse than the directors.
I'm really a director's actor. I rely heavily on a director.
Yes, there are directors I admire, the mavericks. Altman. There are many good directors.
I think a good director is a good listener.
C.I.A. Director: What's this - this cluster of buildings down here? George: The PMA - it's the Pakistani Military Academy. C.I.A. Director: [looks at him incredulously] George: It's their West Point. C.I.A. Director: And how close is it to the house?...
Richard Lester is a wonderful director, a great comedy director, of course.
The thing that separates a so-so director and a great director is a love and caring for film.
In feature films the director is God; in documentary films God is the director.
Being on a set where the director has lost control is just sickening. No one goes the extra mile, there's a lot of eye-rolling... it just breeds inertia. If a director is in control, the crew follow their leader. But the second anyone senses the dire...
I thought that Hollywood was just for geniuses and that directors come from three generations of directors. I was worried that I was not up to the challenge of making a movie. Then realized that all a director has to do is know what he wants to do.
Support Group featured a rotating cast of characters in various states of tumor-driven unwellness. Why did the cast rotate? A side effect of dying.
Having ideas is like getting fishing net; you must cast it. The broader you cast it, the greater your likelihood of achieving more!
