I have thought about Happy Days made into a movie. As far as the original cast not being a part of it, wow, I don't know who could be who! I just don't see it going in that direction. I can see the original cast doing the movie very easily though.
I had my guitar at the set of 'Lost in Space' every day. I was the only one in the cast who had a stereo in his dressing room. So while I was in school or when I was in there working with Dr. Smith and the robot, half the rest of the cast was in my t...
Well, this is an unfortunate part of the UN institution. It's the - the theater of the absurd. It doesn't only cast Israel as the villain; it often casts real villains in leading roles: Gadhafi's Libya chaired the UN Commission on Human Rights; Sadda...
It's madness to hand in a script to a director, leave them alone, and for the director not to want the writer there with rehearsals and the shoot.
Working with actors really depends on the actor. Most of the directors I've worked with don't really know how to speak to actors, actually; some of the best directors don't.
I've always noticed a difference between working with a director and working with a writer/director. In how much they're invested and how specific they are.
My dad is a successful television producer, director and writer, and my mom's a director and writer. Even when I was young, I wanted to be an actress.
The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.
Obviously I would love to work with all these great directors like the Coen Brothers, Tarantino. Robert Rodriguez is a dream director of mine.
I worked with Roger Moore on three episodes of 'The Saint.' He is a lovely man, a good director, and was my favourite actor to work with.
Any time you talk about the look of the film, it's not just the director and the director of photography. You have to include the costume designer and the production designer.
When I was the NIH director, I often expressed envy of institute directors: they had the money and ran the scientific programmes.
I am sure I am one of 2,000 film directors in the world that Tarantino admires.
I have hardly ever worked with the same director twice. But when you have worked with a director before, you understand his behavior.
Working on a play is a vibrant and collaborative business. Everyone from the choreographer to the music director to the director to the writers work together toward the same goal, and everyone chimes in on everything.
The only person who has artistic control is the director, and 'director' is how you spell God in Hollywood.
I have my pride. I'm a director. I'm not going to go and recreate some other director's vision.
As an actress I find the most enjoyable part of acting is really just to please the director. I just want to please my director.
I love being on sets with very seasoned directors as well as very new directors. Every time is a discovery process. You learn something new every time.
To paraphrase the famous Walt saying, Cast Members are there to work so Guests can play.
At which Charion Pratt blushed girlishly, to her own furious embarrassment, yet the eye she cast upon the little coxcomb was not unlike that which a certain toad had once cast upon her: for there is never anything but apparent paradox in the choices ...
