You see, party labels do not ensure unanimity any more than trying to cast the challenge we confront as a people through a partisan prism.
The souls you have got cast upon the screen of publicity appear like the horrid and writhing creatures enlarged from the insect world, and revealed to us by the cinematograph.
Stan: We buried you. There was a coffin, a gravestone... the whole thing. Chuck Noland: I had a coffin? [Stan nods] Chuck Noland: Well what was in it?
Chuck Noland: [reading from a birthday card] The most beautiful thing in the world is, of course, the world itself.
Chuck Noland: So, let me get one thing straight here... We have a pro football team now, but they're in Nashville?
[Chuck talks to Wilson, the volleyball] Chuck Noland: Hey, you want to hear something funny? My dentist's name is James Spalding.
Chuck Noland: Hey, HEY, It's a ship. HEY. HEY. HEY SHIP. HEY. Wait, look look, S.O.S... Oh come on. HELP. Please.
When I consider what it was that moved me to join the Communist Party, I have to cast my mind back for more than a quarter of a century to try and ascertain what precisely my motives at that time were.
I don't know that 'NCIS: Los Angeles' is a complete reinvention, but I'm playing one of the guys in charge this time. Before I'd be cast as a young impressionable character. I think part of that is just being more mature.
You have to get the casting right. You have to get the people behind it. Your director might not be the right director for the project. And then, it has to test and those people in that room, wherever they are, have to turn those buttons the right wa...
Similarly, many a young man, hearing for the first time of the refraction of stellar light, has thought that doubt was cast on the whole of astronomy, whereas nothing is required but an easily effected and unimportant correction to put everything rig...
I remember hearing other models talk about going to castings for Givenchy, and I was like, 'What are they saying?' And then I realized and was like, 'Oh, the Give-in-chee one.' I had been calling it Give-in-chee the whole time. I was shocked.
By the time I was 14, I was about six foot. I remember going into auditions, and they'd look at how tall I was and say, 'Well, you're taller than the lead actor, so there's no way we can cast you.'
When I was young I was one of the second generation of black people in Holland. My father was the first. My mother was white, and living with a black man at that time and having a how-you-say half-caste boy is not easy.
I can see my ghost trying to get that Academy Award, forever stuck in a casting office. Can you imagine? I've spent enough time in audition rooms. I don't want to be doing that in my afterlife.
I played teen roles until high definition came out, and I could never understand it. I would go in for adult roles and be older than many of the people auditioning, but they'd cast the girl without a line on her face.
Dolores Fuller: [arriving for her scenes in "Bride of the Monster"] Well, I see the usual cast of misfits and dope addicts are here.
Tom Reagan: If I'd known we were gonna cast our feelings into words, I'd've memorized the Song of Solomon.
Grim Reaper: I AM DEATH! Guest #4: Well, that's cast a gloom over the evening...
Isaac Davis: It's an interesting group of people, your friends are. Mary Wilke: I know. Isaac Davis: Like the cast of a Fellini movie.
There is one simple Divinity found in all things, one fecund Nature, preserving mother of the universe insofar as she diversely communicates herself, casts her light into diverse subjects, and assumes various names.
