I do know what my family has done for me, but they do need to give me some space to let me be myself. There would be some things I would handle differently.
Although I enjoyed writing Film Music it was always a means to an end, in that it enabled me to keep a wife and family and write my classical music, which has always been my passion.
When you're with your family you're with them and when you're working you're doing that. I definitely try to separate the time when I'm working and when I have my personal time.
I think I'm most proud of my family right now. I'm more into that then I've ever been. It also gives a new area to draw from in creativity with my songs.
If I make a speech, I need a translator. But music does not need a translation. People understand me through the sound. That I think is very important. This is just one planet, like one family.
Pops always taught us that family is the strongest unit in the world. If you stick with your family, nobody can break you, nobody can harm you. You'll always have your family.
One way and another I was having a ball - playing gigs, jamming and listening to fine musicians. Then came a crisis at home. My stepfather fell sick, and it meant I had to support the family.
Growing up in a multicultural family, I never really felt that I was different - even though I was from most of the kids in my school. Especially with music, I try to just approach it as an equal.
I had 13 weeks off and I would pack up the family and drive to some mountain retreat where we could be together and fish all day. I loved it. I needed it.
What little family I got is in Mississippi. A whole lot of them died before I left, and my sister died a long time ago, before my mama did.
There's a lot of things that go on when you're on tour that cannot be controlled. I'm not even talking about myself, but of course there's sexual activity and drugs, fighting and language; it is certainly not a place to raise a family.
I came from an intellectual family. Most were doctors, preachers, teachers, businessmen. My grandfather was a small businessman. His father was an abolitionist doctor, and his father was an immigrant from Germany.
My father was a carpenter, a very good carpenter. He also worked for the Jones boys. They were not family members, we weren't related at all. They started the policy racket in Chicago, and they had the five and dime store.
I come from a family who prided themselves, both sides, on memory. And I was told growing up, constantly, that I was born with a really good memory.
And I look forward to the time when I can become more indulgent with my songwriting. But this band is a family, and it's a process that we have to grow with together.
Being at home with my family always inspires me. I find it hard to be inspired when I'm on the move. I'm not creative when I'm jet-lagged and sleeping in strange hotels.
I grew up in a show business family, so we've always had a great sense of balance, being so close to my parents. I've always known what is and isn't reality.
Many businesses fail because the owner wasn't willing to invest and wasn't educated on the difference between spending money frivolously and investing money into the business for growth, and the risks and rewards of that cash infusion.
There's also, I think more so in the music business and especially for women, this ceiling that people put on you if you have children or a family and decide to spend time with them.
I always encourage our people and young business people that I meet to have a respect for cash, keeping some in their pockets and purses at all times. To me, that's essential.
In business, you can have one massive success that earns $50 million overnight, and that's it. You're successful. End of story. But in the music business, you have to keep on doing it.
