Then I got the offer to play Buck Rogers, but I turned it down thinking it was a cartoon character. Well I was wrong, it wasn't at all. So I read the script and decided I liked the character, it had a good concept.
I love nothing better than a dirty cartoon. I think that it's really, really funny to see adult themes in a genre that's usually directed towards children.
I just tried to create a life for myself that's full of fun and fantasy and things that equal laughter. My life's been cartoons and comedy and acting, and it's just been a fun life, man.
I never got tired of Tom and Jerry, but I did have a dream of doing more with my life than making cartoons.
I first pitched the idea of doing a series of cartoons based on Bible stories. They didn't much like it.
My cartoon strips in college strived to have the Schulzian mix of surrealism and Charlie Brown angst. A bit of that combo shows up in 'Up.'
Newspapers across the country and the world have published cartoons that have gone beyond reasonable differences of opinion and expanded into the realm of antisemitism.
Weird, but sometimes I feel more like my cartoon character than I do Lizzie because she's a little more edgy and snappy.
The nice thing is that, at least in Los Angeles, I'm known as a character actor and I do auditions for other things besides just cartoon shows.
When we constantly ask for miracles, we're unraveling the fabric of the world. A world of continuous miracles would not be a world, it would be a cartoon.
If you're going to make a musical, don't cartoon it from the play. Make it better than the play. Have a reason for making it sing.
I would like to thank the people who encouraged me to draw army cartoons at a time when the gag man's conception of the army was one of mean ole sergeants and jeeps which jump over mountains.
Honestly, at one time I though Babe Ruth was a cartoon character. I really did, I mean I wasn't born until 1961 and I grew up in Indiana.
Usually for cartoons, I record them in the mornings from 9 A.M. to noon, then I have the rest of the day to do on camera. It actually gives me time to work on my own projects.
Templeton Peck: [looking through Graysmith's cartoon samples] Horrid. Horrid. Not so horrid. Horrid. I'm thinkin' we go with not-so-horrid.
I constantly watch 'The Simpsons' and an English cartoon called 'The Raccoons' and 'Gummi Bears.' I was obsessed with ninja films, and the 'Teenage Mutant Nina Turtles,' I used to love that as well.
I love thinking of cartoon characters feeling really real feelings. And I love to do that, not just as a fan, but as a creator, so if people want to look for those levels, they're actually there.
So many of us, we love these things that come from Japan. We play the video games every day, we read the manga, people watch the cartoons, they absolutely love it.
I can still do clothing, movies, cartoons. I'mma get mine regardless. Whether I put an album out or not, I'm still gonna see a check.
My cartoons haven't been about the politics of the day or about the personalities; I'm more interested in campaigning about the issues.
There's more flexibility in the cartoon world than there is in video games. In video games, if I tweak a line, I could screw up the work of countless other people with my whim.
