You love all your characters, even the ridiculous ones. You have to on some level; they're your weird creations in some kind of way. I don't even know how you approach the process of conceiving the characters if in a sense you hated them. It's just a...
Once you have love as a motivator in a story, your character is free to do anything. Once you say the character is in love, he can do the craziest thing that nobody would do who's not in love. Once you're in love, you have that excuse to go and do wh...
For me, the acting part - and I have to say it makes me a little worried about my own psychological make-up - is that I just love to hide in other characters. I don't like to get up in front of people and talk as Kathy Baker. But as soon as you say '...
I do think that people get really emotionally involved in the TV shows that they love and I think that is fantastic. Of course they are going to have opinions. The other thing is that people project onto their television shows. They see a character a...
I like being the lead but I like being in an ensemble. There are different challenges and dilemmas with both. If you're carrying a film, there's a certain weight, but there are a lot of scenes to explore the character. When you're in an ensemble, you...
Robert De Niro taught me how to listen, and how to be part of the conversation. It's not just about reading your lines and saying what's in the script; you have to understand your character, along with the other characters so that you can always resp...
There's something extremely rewarding about following characters that you like and knowing that there's as many hours of viewing as you have the appetite for. You can tell more complex stories; you can create more complex characters in the longer for...
What we try to do at Disney and through Disney character voices is really maintain the integrity of our classic characters at all costs. So Ariel needs to be me for every project, and if there are any other Ariels floating around out there, it's not ...
Once he became a series character, I made the conscious choice that he would never act like a series character, never wink at the reader, never pull his punches. Better for him, better for me.
For me, the challenge of a period film is that, unlike a contemporary film where the character can be very free-form when it comes to the acting, there's a burden to acting in a period film because you have to stay within the character's historical b...
Costume, hair and makeup can tell you instantly, or at least give you a larger perception of who a character is. It's the first impression that you have of the character before they open their mouth, so it really does establish who they are.
I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in...
Character is character and voice is voice, which translates nicely from writing novels to writing TV. But the process is different. You have a writer's room, people pitch you jokes and you collaborate.
If you can relate to what the character's going through, the story can be as ridiculous as possible, and people will relate to it. You can be fearless in your storytelling if you're vigilant about protecting your characters.
I think the thing I took most from game playing was just getting in the characters head. I took it really seriously. There's something about creating your character.
You're a person a lot longer before and after you're a professional athlete. People always say to me, 'Your image is this, your image is that.' Your image isn't your character. Character is what you are as a person. That's what I worry about.
I can honestly say I've never thought for a second about whether a character reflects poorly on any group. All that matters to me is that the character is true to my belief in who he or she is.
I'm certainly a plot and character man. Themes, structure, style - they're valid components of a novel and you can't complete the book without them. But I think what propels me as a reader is plot and character.
'The Beautiful Things that Heaven Bears' is very much about America - it just happens to have African and Ethiopian characters, and in fact, it happens to have more characters who are not Ethiopian than who are.
One of the reasons I never had a problem handing over my characters to other creators is that I knew that they would add their own influences and takes on the characters and make them better for it.
I post on Twitter regularly, and when I checked my followers, I saw that my own characters were following me. They sounded eerily like my characters would actually sound. It was a very surreal thing to see come to life digitally!
