Making a film of a work you've played for six weeks gives you intimate knowledge of the character. By the time you go in front of the camera you've worked out the behavior and life of a character.
I play a character every day of my life, and I don't want to play a character as myself. They can judge me as an actress, not as a person. I'm not a spokeswoman for Anna.
I take stuff from real life and try to make a character out of it. And I try to live the world of the characters a little bit.
I like playing characters that are true to life, and there's no guarantee that any of us are going to be okay, but we intend to be, and we take the time to try to be. I don't think it's any different for a character.
For me, there is a stigma attached to playing beautiful parts. They are often empty characters whom the action happens around. I'm more drawn to characters with a complex internal life, who have a burning frustration underneath that keeps them going.
Dictators are ludicrous characters, and, you know, in my career and in my life, I've always enjoyed sort of inhabiting these ludicrous, larger-than-life characters that somehow exist in the real world.
I really believe that when you're playing a character that everything is contained in the script. If I'm pulling from things from my own life, then I think I'm being disingenuous to the character and the story.
I really love idiot, enlightened characters - these characters who fail to engage with the drama of their immediate circumstances; they fail to be reactive and enrolled by drama as it happens around them.
I think you have to love the characters that you write. I don't know how you could possibly write a TV show where you didn't love the characters.
I love the character of Jaime Lannister. He's just so complex - a character that we love to hate - but it's a lot more complex than hatred. It starts off, and he seems so arrogant and so smug.
I really love this character I played called Becky Freeley in a T.V. show called 'Miss Guided'. We only shot seven episodes, and nobody watched it, and it was on for, like, a second, but I really liked that character.
Strangely enough, the first character in Fried Green Tomatoes was the cafe, and the town. I think a place can be as much a character in a novel as the people.
The main thing in acting is honesty, to feel the humanity and get to the essence of the character. You can't put anything into a character that you haven't got within you.
Sow an act and you reap a habit. Sow a habit and you reap a character. Sow a character and you reap a destiny.
You could say I'm a character actress. Or maybe a character actress who does peculiar, interesting lead roles. Does that make sense?
I am a character actress. Well, let's say, I am a leading character actress who does interesting, odd parts.
With acting, you have to become someone else. That's the fun part of it for me - to step outside of yourself and become a character. I guess being Jimmy Cliff is a little bit of a character, too.
Chairman Mao not only introduced Pinyin in China, but also simplified half the Chinese characters, believing that fewer strokes would enable more people to learn to write the characters.
'm really proud of it. To me, it's a movie about character behavior and the pecking order of the pack, as well as the central character's massive survival guilt.
I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
Look at the Coen brothers. All their minor characters are as interesting as their protagonists. If the smaller characters are well-written, the whole world of the film becomes enriched. It's not the size of the thing, but the detail.
