When a character does something appalling but you still want to root for them, I find that the most exciting challenge to play, if you can pull it off. You're not supposed to like it, but you can't help it.
I never go into a scene - ever, ever, ever - thinking, I have to make myself more empathetic toward the audience. Once you start doing that, you get into really dangerous territory. I think you start to become kind of untrue to the character.
I'm a massive daydreamer. I'm constantly lost within my own fantasies and my own thoughts personally, and I think maybe that is sort of represented in what we do for a living, the fact that we make believe everything and we escape into these other ch...
Kids kill a show! It's, like, a fun concept when the character is pregnant, but then if a show runs for a while, I'm sorry, but it gets annoying when it starts to talk. You get a child actor in there, and unless that child actor is freakin' awesome, ...
I loved all fantasy, and I always thought that the ideal job as a performer and an entertainer would be to take on a mythical character, you know? Make someone up. Give them a voice, a mannerism, whatever. I always thought that that was the coolest w...
None but the most blindly credulous will imaging the characters and events in this story to be anything but fictitious. It is true that the ancient and noble city of Oxford is, of all the towns of England, the likeliest progenitor of unlikely events ...
I leave to the militarists the difficult task of trying to explain to us how these wars have served to shape character or to promote the progress of civilization or to achieve the reign of justice on earth. So far, they have not come forward with the...
I've been on 'Criminal Minds' twice! On the first show, a boy brought kids out to the woods and was beating them with a baseball bat, but I got away. Then they brought Tracy, my character, back - as a kidnapped girl. They saved me two times! Tracy li...
I have to know the killer, the victim and the motive when I begin. Then I start to create the characters and see how the novel takes shape based on what these people are like.
For me, acting is like a therapy. I can express myself fully when I am acting and have blood in my veins. Even when I'm not working, I'm always living in my own world, imagining characters.
This was more of a cartoonish thing for me and it kind of took me back to SCTV, in a way, where the characters are just a little broader and you can have that kind of fun going a little over the edge.
I think every character actor at some stage likes to carry a film. It can be extremely liberating to just come in for a scene or two and do your thing. But I find it frustrating if I'm just doing little bits here and there for too long.
My favourite genre lies inside myself, and as I follow my favourite stories, characters and images, it sums up to a certain genre. So at times even I have to try to guess which genre a film will be after I've made it.
But so long as we can keep this crew of fantastic people together and can continue to make real breakthrough films in this category, as well as characters that stay true to what we've done in this first film, I'd be more than happy to be a part of it...
Well, everybody knew their character. I was the only one who didn't have a partner. I basically showed up when people got in trouble. Where I came from, I don't know. Nobody knows. But I would show up to help.
I always figure hey, look, I'm not a rock star, I'm an actor. I'm somebody who's meant to be other people and I'm not meant to be here representing myself. I'm happier when I'm presenting myself as other characters.
We're trying to tell a very full story of 'Nashville' and these characters in Nashville, and I'm really hopeful that we're going to be able to do something as innovative as 'American Horror Story' and 'Friday Night Lights.' And I think so far, we're ...
I have made a career of creating characters who fight school authority and chomp at the bit to get out into the 'real' world and live their lives, mostly because that's the kind of teenager I was.
While 'Visitation Street' has the markings of a traditional whodunnit mystery - starting with a missing girl, intrigue and many suspicious characters - Pochoda shows her hand early on by fingering a culprit. The book turns, then, into a 'whydunnit.'
I didn't want to take the DC universe, put it in a box, shake the box and pour it out. I wanted to take the major characters and show what they could be like if they were put on a different path.
I'm happier not pretending I know anything about El Cid in Spain. He's a Spanish national hero. I'd rather invent a character inspired by him but clearly not identical to him. And then I feel liberated creatively.
