We never really know what's around the corner when we're filming - what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.
Playing Etta James in the movie 'Cadillac Records' really changed me. It was a darker character, and I realized that if anything is too comfortable, I want to run from it. It's no fun being safe.
Action-adventure, that genre, only works for me if you can care about the characters. If the hero's not taking some kind of a journey, then there are no stakes - and no stakes, then you don't care if he lives or dies, wins or loses.
I used to see my friend Harland Williams in a lot of auditions. Then you'd see one of the DeLuise kids because they're kind of heavy and character-y. You'd just see a lot of the same guys over the years.
I was always a very quirky kid. I remember very early like fourth or fifth grade doing pratfalls to make my friends laugh, like falling on the ground on the playground and doing like bits and characters.
I learned early in my writing career that if I try to tailor a song for someone else, I'm usually off base. They're usually looking for something from you with your character.
For me as an actor, you always sort of want to bring yourself to a character in some way. You want to find a way to approach something in a way that's real and interesting, and also so there's some empathy there.
When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?
I'm definitely a character actor. I've tried to limit anything with a uniform because I've done it so much. There's a lot more I can offer. It's just getting people to see something else.
When I owned the theater, I had the Glen Miller Orchestra. I had 20 girls singing and dancing. I had a cast of characters. It was a big group production, as well as ushers, ticket takers.
Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
We may say that the characters in fairytales are ‘good to think with’…[and that] the job of the fairytale is to show that Why? questions cannot be answered except in one way: by telling the stories. The story does not contain the answer, it is ...
In Asia, I didn't feel like I was Chloe. I felt like I was acting like someone in Asia. I was acting like Chloe Wang, a pop star, that was like a character for me, if anything.
Luckily, I went to school at CalArts, and then ended up here at Disney, starting in the Animation Building and working my way up. I started as an animator, and then did character designing and storyboarding, and eventually, directing.
We are starting off with our own different characters and our own laws and everything, looking at Bruce Wayne and how he came to be the person that he was and how he comes to be this man that jumps around in the Bat suit.
It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
Up to that point I never really knew what my character would be expected to do, and prior to accepting the job I had actually turned down the role three times before finally giving in.
I think as an actress, I prefer having a character on the page. It allows you to be more invested in actually creating a whole person. It's easier when you're not trying to come up with your next line on the spot.
After character becomes imbued with conscious principles of love, integrity, and faith, it opens the door for purity and holiness to converge at the portals of the soul like sentinels guarding against any counter attacks from the ego.
I knew that I did not want to go to that juvenile diversion program because I had an intuitive sense that it would turn me irrevocably into the kind of character that I was now only rehearsing to be.
'Flashpoint' is a showcase to demonstrate why the Flash is a major character, just like how we've done with Green Lantern. It's important that the Flash can hold his own.
