Ever since I became a Muslim, I've had to deal with attempts to damage my reputation and countless insinuations seeking to cast doubt on my character and trying to connect me to causes which I do not subscribe to.
One of the coolest ways to start building a character is the way he moves his mouth, what part of the mouth he puts his words into, how he expresses himself, and there's a certain flavor you get with a dialect.
There's no game plan when it comes to thinking up new characters; inspiration can come from anything - from a wig I've seen to an expression I've heard someone use.
Fiction may amuse us, but reality instills lessons to be imbibed through experience; to 'live' this stark reality called 'life' as a blessing, whereas some foolishly waste it by following fiction and fictitious characters.
I always wanted to be a writer! But I wanted to do other things, too - be a psychologist, a librarian, et cetera. Now I've decided that reading fiction that features characters who are in those professions will do.
I am perhaps more proud of having helped to redeem the character of the cave-man than of any other single achievement of mine in the field of anthropology.
With historicals, the research is half the fun. Contemporaries are especially easy. People are right out there in front of you; you meet them every day. You can concentrate wholly on the story and characters.
Those who, while they disapprove of the character and measures of a government, yield to it their allegiance and support are undoubtedly its most conscientious supporters, and so frequently the most serious obstacles to reform.
Self-leaders are still true leaders even if they have no known followers. True leaders inspire by the influence of their characters and general self-made brands. Leadership is defined by the virtues of one's behaviour.
You get so caught up in what you're writing - action sequences tend to do that more than anything else because you're living it, and feeling for your characters.
I just would like to be challenged. I want to push myself to the limit, and constantly challenge myself and grow as an artist. That's where I want to go. Explore different things, different characters, in film, and just everything!
The web presents an opportunity to showcase any character your sick mind desires. Want to create a cross-dressing, deaf/mute, corrupt politician who has a soft spot for saving children? Go for it!
I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another.
We shall convince France and the world, that we are not a degraded people, humiliated under a colonial spirit of fear and a sense of inferiority, fitted to be the miserable instruments of foreign influence, and regardless of national honor, character...
You learn to write by writing, and by reading and thinking about how writers have created their characters and invented their stories. If you are not a reader, don't even think about being a writer.
A lot of cable television is shot on a single camera. Our eyes are more trained to that. It takes the camera off the crane, away from observing the action, to becoming a character in the story along with everyone else. People are getting used to that...
Parents look at me like I'm somebody pretty important, and say, We were raised on your characters, and now we're enjoying them all over again with our children.
I'm really quite bad at coming up with plot ideas. I like to create characters and just see what will happen to them when I let them loose!
All greatness of character is dependent on individuality. The man who has no other existence than that which he partakes in common with all around him, will never have any other than an existence of mediocrity.
Preparation is definitely important, but it depends on the kinds of roles I do. Like, I completely identify with my character in 'Yeh Jawaani Hai Deewani.' I had to be myself and I didn't have to actually prepare for it.
When a writer is able to experience the whole range of human emotions, from deep depressions to glorious highs, it creates a whole inventory of feelings and musings from which they can choose and infuse into their words and characters.
