Television characters live inside our minds as though they're actual people. In fact, we know more about them than we do about most people in our physical lives.
I write fiction not for my readers and not for myself. I write fiction for the sake of those odd heroic characters that are contained therein. They are counting on me as much as I am counting on them.
A big part of what I wanted to do with this character was go from when I was a boy and try and develop into a man, really try and play him as a man who is on this search, on a journey of personal, spiritual, political, social discovery.
When I was filming, I imagined that Legolas was a meditative character who was very thoughtful and had a certain amount of depth to him. I started working on trying to find this focus that Legolas has, which wasn't really like me.
That was one of the things that interested me about the character. He doesn't want to be a hero, and has no real desire to save the earth or discover aliens. He's sniffing around looking to see what will fall in his lap.
First, I would find an object which I would think is suitable for my characters and stories, then write about it, and in the end, I ended up with a house full of thousands of objects.
I'd always wanted to be an action heroine. That's a chick dream, getting to wear a leather bodysuit and be blonde and kick ass. But, what really attracted me to 'Dredd' was the script. It was fantastic! It was about people and characters, and not jus...
None of my characters seem to have had sex yet - I haven't written about that. And I wouldn't want to deal with what's happening in Oregon - the school shootings.
My only requirement for that first story was that there had to be a fight or an explosion on every page. Naturally, no one wanted to publish it, but I liked the character, did a few stories to keep my hand in.
Most people are resistant to ideas, especially new ones. But they are fascinated by character. Extravagance of personality is one way in which the pill can be sugared and the public induced to look at works dealing with ideas.
Beauty of style and harmony and grace and good rhythm depend on simplicity – I mean the true simplicity of a rightly and nobly ordered mind and character, not that other simplicity which is only a euphemism for folly.
If you are the kind of guy who draws in 100 million people to see his film, you've got every right to be paid accordingly, but I qualify as a character actor. I don't put a bum on a seat.
In terms of the frustration of my character, I suppose any teenager has probably gone through that, in terms of telling their parents, I want to do one thing, and their parent says no. I think parents sometimes forget that they were children.
It's the texture of New York that people miss by filming elsewhere. There are layers and layers of character - even in the pavement - that you can't get anywhere else. And the speed that the people move. It's so different from other places.
I created the characters from what I read in the script. I decided how I should talk, accent, no accent, my own voice, or a created voice. Then, I visualize what I should look like.
We can alleviate physical pain, but mental pain - grief, despair, depression, dementia - is less accessible to treatment. It's connected to who we are - our personality, our character, our soul, if you like.
Let no man write my epitaph... When my country takes her place among the nations of the earth, then shall my character be vindicated, then may my epitaph be written.
In 'Mirror Mirror,' I played Prince Charming's side kick Renbock, who was pretty dandy, hapless and innocent. Other than that I've tended to play the complete opposite! I've played gritty, hard characters, generally tough people.
I don't care what people say about how I look or even their opinion on my relationship. But the moment you judge my character is when we have a problem.
Ron was always my favorite character, because I feel like I relate to him, like we've both got red hair, we both like sweets, we've both got lots of brothers and sisters.
One of the most critical decisions made in life is choosing with whom to spend your time. For it is those close relationships that gradually mold our character until we become a reflection of the company we keep.
