I have the power to write these books where I invent characters that I really like, and it gets to come out the way they want it to come out, and I get to make it happen.
The whole thing about making films in an organic film on location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumbl...
In theater, you are there, you have a character, you have a play, you have a light, you have a set, you have an audience, and you're in control, and every night is different depending on you and the relationship with the other actors. It's as simple ...
Fans believe they have a relationship with you, either through your TV character or, more reasonably, through the tweets you may have exchanged. In a way, you have gotten to know them. You learn about people's kids, families, pets.
In the pre-production process, I am emailing with the actors or jumping on the phone, and we're sort of figuring out who the characters are and trying to build the relationship dynamic and things like that. Then, also, I am outlining.
That balance between involvement and detachment is what novelists do. It's the ideal relationship between a novelist and a character, I think, total involvement and identity and empathy, stopping short of being autobiographical - in my case, anyway -...
'Something Borrowed' is looking like a romantic comedy, but it's a comedy. It shines as a comedy; it's definitely not just about the romance. It's an honest depiction of the struggle between the characters. The comedy aspect will make it shine.
I think Bond the character is distinct: He's British, he has a certain code that he lives by, he's incorruptible... he's a classical hero, but he's also fallible. He has inner demons, inner conflicts, and he's a romantic.
For me, the performance was always playing different people. And so when I got older, was no longer the romantic leading movie star, it became more and more interesting for me, the characters I played, you know?
Picasso is a character that has pursued me for a long time and I always rejected. He deserves a lot of respect because I am from Malaga, and I was born four blocks from where he was born.
There's immense fun to be had as long as you can sort of sneak it past DC. I have been told on occasion that I need to have more respect for these characters.
The fact that the adult American Negro female emerges a formidable character is often met with amazement, distaste and even belligerance. It is seldom accepted as an inevitable outcome of the struggle won by survivors, and deserves respect if not ent...
James Franco is a Method actor. I respect Method actors, but he never snapped out of character. Whenever we'd have to get in the ring for boxing scenes, and even during practice, the dude was full-on hitting me.
I like working closely with artists. I think that's very important in fantasy and science fiction - the visual aspect of the worlds and the characters.
Two things are always happening in acting. On the one hand, it's a team sport. We're all pulling together. But on the other, you have to look after your own character. Guard their interests.
The more I get to do this character, the more I realize that she's not just annoying. It's that her strength is not interacting with people socially. She just doesn't have time because she has so much going on in her brain.
There is something about my aura or essence, or whatever, that draws the ex-wife characters to me. I don't seek them out, but people tend to think of me for that particular archetype, or whatever you want to call it, and I don't mind it. I think ther...
I think the success of 'Downton' is partly because there are effectively 18 leading characters, all given equal importance, so it's enormously involving on many levels. But also, it's a new story. It's not like Dickens or Austen, where everyone knows...
If there is any secret to my success, I think it's that my characters are very real to me. I feel everything they feel, and therefore I think my readers care about them.
If we had any nerve at all, if we had any real balls as a society, or whatever you need, whatever quality you need, real character, we would make an effort to really address the wrongs in this society, righteously.
The same energy of character which renders a man a daring villain would have rendered him useful in society, had that society been well organized.
