With fiction, you can talk about plot, character and narrative, whereas a poem brings home the fact that everything that happens in a work of literature happens in terms of language. And this is daunting stuff to deal with.
Anthony Mackie in 'The Hurt Locker' is everything an actor can hope to be. So rock steady in his portrayal that you immediately forget every performance he may have previously given, and focus only on the character in front of you.
What I remember most about the 'Road' movies is my enjoyment at watching the two characters sparring with each other. But more important than that was my feeling that Hope and Crosby were enjoying the sparring, too.
This election marks a significant moment in Haiti; it not only serves as the basis of hope along the road to democracy, but also serves as a testament to the resolve and character of the Haitian people during their long struggle for peace, reconcilia...
When you're doing an out-and-out comedy, the notion of preparing for a character - I hope I don't reveal too much of myself here - but, uh, no, I'm not doing anything.
So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.
The consuming desire of most human beings is deliberately to plant their whole life in the hands of some other person. I would describe this method of searching for happiness as immature. Development of character consists solely in moving toward self...
Funnily enough, I did a play called 'Jumpy' on the West End before I did 'Divergent,' and there was an essence of that character I played, called Cam, in Will. In the sense of his vulnerability, and... he had a sense of humor that comes out of advers...
One of my favorite things about 'Star Trek' wasn't just the overt banter but the humor in that show about the relationships between the main characters and their reactions to the situations they would face; there was a lot of comedy in that show with...
I'm really excited to be a part of it and sharing the legacy, any documentary I look up at the sky and Kevin Burns did and Bryan did and showed me again you know the history that's in this character and you know.
I make a rod for my own back because people see my novels as quasi documentaries. But it is never history that's the main event of my books. It's my characters.
When the venture has been made of dealing with historical events and characters, it always seems fair towards the reader to avow what liberties have been taken, and how much of the sketch is founded on history.
I cannot be much pleased without an appearance of truth; at least of possibility I wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.
We have to start processing what we're really made of in America. American character is not dead. American integrity and honesty are not dead. When we're backed up against the wall against the largest corporations in the history of corporations, it's...
Many of the characters who appear in the pages of the Fourth Gospel are literary creations of its author and were never intended to be understood as real people, who actually lived in history.
The skyscraper style first advocated by Louis Sullivan - a tower of strongly vertical character with clear definitions among base, shaft, and crown - has remained remarkably consistent throughout the history of this building type.
Since I was there in the very beginning, I know the history of the characters. So, I make comments about the tone and sometimes remind the writers that we've done that before.
Before it was revealed that my character on 'Lost' had a troubled history, a fan came up to me and said, 'Wow, you're a really nice guy.' To me, that was a compliment, having played a very villainous guy.
Keep everything in context, and try to have each line doing more than one thing - not just giving exposition but also revealing character and history, etc.
It is the creator of fiction's point of view; it is the character who interests him. Sometimes he wants to convince the reader that the story he is telling is as interesting as universal history.
There's the argument that you can relate to someone who's completely unrelatable. In the way that a director shows you his imagination on a film, then I get to show you my imagination in a big dumb character.
