The fact is, it was a big show. We were a part of that show. Everybody watches for different reasons. There were some people who were tuning in that day to see what was going on with other characters.
After doing this, going away, trying other things and working on other shows, this character, and working within Days of Our Lives, has been one of the most enjoyable experiences in my career.
For some reason, they always gave me a fat suit in high-school productions. If there was a character who needed to be robust, they gave me a fat suit, and I put on a silly voice.
All the parts I get offered are character and comedy parts, and I probably wouldn't get them if I had a different face. So I'm glad I have a comedy face.
We like to put people on a pedestal, give them one character trait, and if they step outside of that shrinelike area that we blocked out for them, then we will punish them.
I've sold 11 of my books to Hollywood. There are all kinds of my books on shelves in Hollywood because the scripts didn't capture the characters.
Cliched characters are cliches because they're people being described by people who are on the outside. If you take two sentences from anybody and reduce them to just that, that's what you're going to get.
Marvel does a fantastic job about bringing human stories - because you're telling big stories with a heart at the centre of it - and that's what connects all of the characters to our audience members.
I like to take chances. The actors I admire are the ones who aren't afraid to make themselves nasty, bad or even goofy. I've never shied away from controversial characters.
The journey matters as much as the destination. By engaging in the moment on set, I've stopped rushing and now find pleasure in the collaborative process - the characters, the costumes - rather than worrying about the finished product.
It is almost impossible to imagine that any one could be so insensible to the high morality of Mr. Mill's character as to suggest to him any course of conduct that was not entirely upright and consistent.
With animation, because you can draw anything and do anything and have the characters do whatever you want, the tendency is to be very loose with the boundaries and the rules.
The tendency in comedy is to have a character who's stupid get more stupid, because you're trying to top yourself and not just repeat.
Pilots are so hard because you have to introduce all these characters, you have to hook an audience, and an audience has such a smaller attention span than maybe they used to have.
If we get caught up in a story, it's because we've started to care about the characters, and that can only happen if we've moved beneath the surface.
I examine other people's characteristics, so when I'm playing characters, I don't always have to make them me; I can transform into others.
I think one of the things you have to learn if you're going to create believable characters is never to make generalizations about groups of people.
I'm not likely to be attracted to characters I've already done. I have to be almost frightened by the possibility of taking it on. Over the years, I realise I must enjoy walking that edge; I keep doing it.
Most horror films fail to scare me. I think 'The Ring' plays more as a psychological thriller. It's smarter, there's more character development and some of the themes explored go a little deeper.
Among all the characters mentioned in the Bible, none is more mysterious than Melchisedec; said to be without father, mother, or earthly kin, and holding the dual office of king and priest.
A lake cannot remain stormy for a long time; an ocean cannot remain calm for a long time; everything and everyone cannot behave different from his own character for a long time!
