There are cliques in Bollywood, and people stick together, but I have always tried to stick to my work. As an industry, Bollywood is very competitive, and I'm very competitive as a person, but I've never been a part of any clique, and I've always wor...
I'm extremely, extremely lucky to be who I am and do what I do and work with the people I work with. Even though I can always find something to complain about, I find it very hard to complain.
Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood til...
A movie is a filmed rehearsal in a way. The audience doesn't know that because you're taking out the things that don't work. There's no comparison to the theater because it's live. But making a movie is just as challenging and exciting, I find. A mov...
Every shot is unique, even if it's just a close-up, an insert of your hand. You've got to work with the guy behind the lens to get it right, focus in. Those are critical little nothing things, but you've got to work with the people who are trying to ...
It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do d...
I hate acting when I see it. I don't want to feel it, I don't want to see it, I want to be taken away with the story - I don't want the actor's ego in front of me. That's what I try to live when I do the work.
And I think more than anything else, I know when I go to bed that no one's working harder doing what I'm doing, and I think, quite frankly, simply that hard work at some point was gonna pay off.
But I work harder now because I have so much more exposure. And actually the harder you work as a writer, the better you get at it. It's like anything else. It's a muscle you have to exercise. I write more now than ever.
So the first season about halfway through he just sort of put us together and then broke us up all within one episode. One of the ideas is to have us do that once a year - to have everything blow up in our faces and not work out.
Your work isn't just to learn and say the lines. Your work is to figure out what the chatter in your brain is, that's going on under the lines. It doesn't matter whether you're speaking or not speaking because your mind is working the way your charac...
I'd been kind of a hiccup in my parents' lives. They lost track of me and I didn't know what I was going to do with myself. And then fate reached in and took me in its hands. I was discovered right out of high school and started getting work.
I have days where I feel like crap and I look at my body and I'm like, 'I haven't been able to work out as much. I can see my butt drooping a little bit.' And I'm just like, 'Oh well.'
I've learned more and more on each show that I've done. I've been blessed and I've gotten to work with some very talented actors - James Gandolfini, Treat Williams. I've kind of always asked for advice and tried to take in as much as I could whenever...
I don't really think about a visual aspect to the work at all; I just think about making the piece. And everything that occurs visually comes out of the subject matter you are dealing with so that I find it difficult to treat the visual element as a ...
I don't have what German directors call 'a concept' - a solid, fixed sense of the pattern that you should impose on the given work. I always get the feeling that I am raking up the earth rather than laying down the concrete.
I equate fame towards people who know your work, people who will see your work. But all that stuff, like with the Genies and stuff like that, it was so much fun. It's so much fun and it's nice when it comes, but that's not what it's all about.
All the jobs I've gotten in the last two years are because directors have seen the work I've done - indie films, plays, short student films, TV - since I moved to the states in 1996. I mean, I have an entire career in Canada that nobody has seen.
In TV, when you're doing guest roles, you're gliding into a zone where people are already very comfortable. They go in and go to work every day. You're coming in, and it's a brand-new environment, so you have to get it... and then you're gone again.
I go through phases as far as working out goes. I'll do yoga for a few months or then work out at the gym, and then if I'm not doing either, there are things that I usually try and do something active, whether it's trying to jump in the ocean with th...
I'd like to do the young cadet thing again for sure, but that's why I wanted to do this, to see if I could do it. I took the scenes out of the script and put them together and read them as one little arc, story and that seemed to work.
