I can't tell you too much about it because I'm not even meant to tell you that I'm in it. In fact, I might never work again now that I've been talking to you. I'm not in it for very long, let's put it that way.
I think that among my friends I'm known as being a hard worker; I think if you want to be an actor, there can't be any compromise. You have to work all day, every day. It's not a 9-5 job. There's always something to learn.
I did undergo hypnotherapy, and it didn't work! The guy couldn't put me under. I was very disappointed. I was very keen to be suggested, to have somebody tell me to run naked or cluck like a chicken or whatever, but it didn't work for me, I'm afraid.
I know there are different kinds of actors, but I tend to have less effective relationships with actors who have a very private process - who really need to do lots of internal work, so that I become merely a witness until they're ready to share.
Whenever I get an audition to do something that is sci-fi-related, it makes me really happy because I realize that I can continue doing the work that I'm doing and continue meeting people all over the world. It does baffle my management team sometime...
For me, when working on a film or play or television show, everything for me starts with the screenplay and I am devoted to that and that is what I work from. Any research I do or any preparation I do on my own is all ultimately in service of that.
First, you do a piece of material that begins and ends and has a flow; it's not chopped up as in a film, where in an extreme case you might be doing the last scene of the script the first day that you go to work, and you don't know enough about the c...
When I first started the show, I was known as the 'cop nerd.' I was in the 9th Precinct in the East Village every day. I'd be at work wearing a fake bulletproof vest with foam in it, then I'd leave and put on a real one to ride around with these guys...
Going to work is probably my favorite thing to do. I do that five days a week for probably ten hours a day, but it doesn't even feel like work and it shouldn't. When you enjoy a job so much like I do, it's not work, it's play.
When not working, I use a lot of treatments; from ancient casero - honey, avocado, stuff like that - other times, I buy ones you leave on for a few minutes. I don't blow dry my hair ever unless for work; I'd rather go for the natural look.
When you're filming, you work 19-hour days and you know more about what's going on with your crew and co-workers than you do with your husband. You're away, you miss things. It's taxing. Relationships fail because of it.
People are composed of many things, and in my work, what influences me is the complexity of people - the chiaroscuro of dark and light. When I play a strong guy, I try to find, where is he weak? And, conversely, when I play a weak guy, where is he st...
In my work, I just want to tell a story and help people go on a journey. I'm glad any fans that I do have, and I'm usually not aware of it until I get out there or read a message board. I want to thank everyone who follows my work.
I can't watch most of my work. Once I come on screen, all I can think of is 'What am I doing with my hands?' or 'Why did I lean that way?' or 'What's that look on my face?' It's too difficult to not focus on evaluating my acting.
When I started acting, my whole focus and intention was to work as a stage actor in a company where you're asked to different roles - do a comedy, do a tragedy, etc. I haven't had any reservations about jumping from one type of genre to another.
I still sweat bullets if I go on The Tonight Show, but I tell myself, You can either have fun tonight or you can be shy and miserable. You ask my friends or anyone I work with now - nobody would say I was shy.
There really isn't a dream role, but there's a dream situation where I could work with a director that I idolize. So, the idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really ...
I'm a 'Clash of the Titans'/'Star Wars' baby. I'm not a new 'Star Wars' baby. I'm not an 'Avatar' baby. That full CG doesn't work for me. I need interactivity. I need to feel the goo. I need to feel people coming out of animatronics and just interact...
I can't wait to do a fully improvised script again, to find people who are really comfortable and into it. It's about the capabilities of the people you're working with, what are their strengths and weaknesses. Some of the most brilliant actors need ...
Sometimes when you get on a new movie you kind of how to figure out the way other people work and it can be like being the new kid in high school where you're just trying to find out where your place is on the movie or on the set.
When I work on a movie, I never aim for records, collections or the number one position. I always concentrate on my work and look for ways to improve my acting abilities. I also advise my co-stars not to concentrate on these pretty issues and just fo...
