For me, comedy is constantly presented as this fake casualness, like a guy just walked on stage going, 'This crazy thing happened to me the other day.' And he's in front of 3000 people, and he's acting like an everyman, and he's getting paid so much ...
When I was writing 'Withnail,' I was so busted flat that I had one lightbulb that I would carry around the house with me. I mean, really. No furniture, no money, and I was hoping to be an actor, but I could never get a job.
It was not easy for my mother, being a struggling actress and raising a child. We were these two sort of vagabonds, never knowing where the money was going to come from. She always says she couldn't afford a babysitter, which is why she put me on the...
Once I realized I wanted live in New York, I saved enough money that I wouldn't have to get a job right away. That was important to me, to focus on acting; I didn't want to come here and just fall into the mix.
There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.
Fashion is more about taste than money - you have to understand your body and tailor clothes to your needs; it's all about the fit. I do the alterations myself - I'm quite a seamstress - it's the influence of my Hungarian mother.
I come from a small town and I come from a background where we didn't have money to travel. I thought I'd have to join the military to get to Europe. So I'm thrilled to travel.
I would do a film, make the money, then take off for six months to Europe, India or Russia. My agent told me that I had to stay in town if I ever wanted to build a career, because everyone forgets about you.
When I was little, I didn't know you got paid for acting. My parents put the money in the bank for me, but I just thought it was this fun thing that I was so excited to do. You got to be on the set and get a little bit of makeup and be on camera.
Let me tell you something: I have members in my charter who, after paying their rent and house bills and taking care of their families, don't even have enough money left over to pay the fifteen dollars a week dues.
But with my last film, Spider it was agony. The money was always disappearing, nobody got paid, it was very difficult - and it's very distracting from the process of making the movie, of course. So I think things have been getting harder and harder.
I don't know what to do with it. I'm very fortunate to have it, and it gives you room to maneuver. But the main thing about having money is it means you don't have to worry about it. And that for me is a lovely thing. It's not for fast cars and hooke...
My father worked hard, but we were still very poor; and I didn't want anybody arguing about money, so I became the entertainer - the one who wanted everyone to be happy. I didn't want there to be any problems.
Now that the Court has declared money to be speech, I say we replace the current Court with some Ben Franklins, Thomas Jeffersons, George Washingtons, a couple of Susan B. Anthony's, Roosevelts, Hamiltons, a Sacajawea or two, and an Abe Lincoln to co...
When they make a woman's picture, they treat it like a 'woman's picture.' In the '40s, they didn't treat Joan Crawford movies like that, but as the big movies of their year. I'm upset that there's no 'Terminator' with a woman in Arnold Schwarzenegger...
I think we really feel like Crowdrise could be something that, 20 years from now, people take for granted because that's just how you do it, like if you're going to raise money for something, that's how you do it.
Acting never was about the money for me... Maybe in 10 years, I'll be able to appreciate the fact that I am financially stable and independent and I don't have to make bad choices. I can be very picky.
I never wanted to be a puppeteer. I stopped puppeteering when I was about 18. I puppeteered when I was eleven years old to 18 to make extra money to go to Europe, which I made half of and my parents gave me half.
Money is tighter now, with the advertising dollar spread a lot more thinly across a whole range of media because of the Internet. It means the television networks have less power to produce shows, and TV is where most Australian actors make their mon...
In the '80s, I can't say that Amy and I were aware of an independent film community. We could only get a certain amount of money for our pictures, which made them low budget movies, but they were distributed through studios.
And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.
