By 1949, there was no more work for me out there, and I went to New York in 1950 and just did whatever I could. Mainly television. Some Broadway. A lot of dinner theater work, which is not a very satisfactory medium.
It's tourists in New York. Everything is geared towards that. It's so hard on Broadway now for them to get people in there. They have to compete with so many other entertainments, so they have to bring a star in which puts people there out of work.
My teachers encouraged me to audition for some professional work during our summer vacation. I landed my first job. It was for the National Theatre Company's Mimika Pantomime troupe. I ended up touring with them for the next two years.
I work with a place in Santa Monica called Phase IV. My doctor recommended them to me when I started losing weight. They help people train for things like triathlons or biking and running races. They offer physical therapists, testing, lectures.
It's weird to make new friends, but we're three seasons in with 'The Exes,' and now it feels a lot like 'Scrubs,' where I'm very lucky because I get to work people like Wayne Knight, who I really like.
An ideal movie would be, like - to get this to happen, I have to work so much harder - but imagine Denzel Washington, Laurence Fishburne, Jamie Foxx, Eddie Murphy... Who else? Donald Faison. Directed by Steven Spielberg. That would be awesome.
To me ,acting is all about hard work and talent. Once you get your first wrinkle, if you are a female actress, nobody will care about what you look like - it's all about what you can do.
I've always drawn, for example, and I did consider when I was younger, it was either do I become an actor or do I become an animator cartoonist at that point. Do I work at Disneyworld or something and do animated cells or something?
I was scouted when I was, like, sixteen, and I hated it. I wasn't ready to work. When I turned 19, I decided to move to Paris to pursue modeling for myself there. It was kind of a way to get out of the house and discover something for myself, in a wa...
I really want to be known for my work. That sounds like such a... cliche, and I've thought about how else I can say it to make it sound less hackneyed. But that's what it comes down to... I know people are interested in these things.
I don't know what it is, exactly, but there's a negative drag on film sets after the second week or so, a mutinous vibe because the infinite capacities of the directors and everybody else become quite finite and everybody's under the gun and it becom...
The day I showed up to South Carolina to work, I was with my kid and my ex and our dog and Kirk was hanging with this weird guy and I kind of defined the two of them by his friend and made a vow to avoid him.
When you record an album and it goes platinum... yeah, you're in the studio and you work hard for months, but it's not like your whole body hurts. Maybe you get a little hoarse and tired. But on 'Dancing With the Stars,' everything hurts.
But I have fun with the fright, work with it. You have to - that's your timing, that beat of excitement. And when I go on stage, it's just like taking a step into heaven. Poof, you know? Poof - and there I am.
I guess if you're lucky enough not to have to pay your rent, then you or I take much more seriously the kind of work that I do, what it takes for me to leave two teenagers of my own and six stepchildren and a husband and four grandchildren.
I turned down plenty of films which proved to be hugely successful. And, of course, I've also had plenty of experiences where everyone thought we were doing brilliant work and it ended up pretty horrific. Same as any actor, really.
I'd been wanting to work with James McAvoy since I was in drama school. I suppose there are parallels in that we're Scottish, we went to the same drama school and share the same agent, but aside from that, he's someone I've looked up to.
There's always going to be a ball up in the air, and what I try to do is make sure that ball is never the kids. If that means sacrificing a social event or having fewer work commitments, it's worth it.
I read a lot of bad scripts and weird television shows. I don't know. There's a lot of work out there I was reading at 14 years old and noticing this lack of thought. And then, reading 'Afterschool,' that's full of thought. It was bursting with ideas...
So anyway, I've learned a lot about myself just in terms of acting but just work ethic and interesting things like full-page monologues or talking straight into camera, which I had never gotten to do before.
I don't think people understand that being poor means you have to work from dawn until dusk just to survive through the day. I think there's some notion that poor people lie about all day not doing anything.
