Could you let me have the 3 weeks due to me now and if I work again before August I must of course repay you at the rate of exchange you let me have it at now if you kindly will.
I really was interested in doing something for a premium channel like Showtime or HBO, just because you get to really let loose. I think they let their storylines go wherever they want, and it's really a special place to work.
There is no greater way to ensure that universities remain a hotbed of leftist thought than to guarantee that professors knight their own successors. But that's basically how the Ph.D. system works, with sitting professors approving the work of would...
In order for Obamacare's cost structure to work, millions of Americans must sign up to pay inflated prices; that would help pay for the subsidies to cover insurance company costs on those with pre-existing conditions.
It's just interesting that people don't really know about the roles that I play that are darker. I kind of do a huge blend of really big light things but also really dark indie things, and it just sort of happens to work out that way.
My father is Cuban. Spanish was my first language, but I don't speak it that much anymore because I had dyslexia, and in school they work with you only in English. But I'm proud to be Latina, and most people don't know I am.
I heard we'll get you a pass because we know you're married to a black woman. You're married to a sister so we'll give you that pass but also, those who know me but also if they look at the body of work, it is the bigger picture.
I like doing clay work. It's different from drawing on a page because you have something to mold into different shapes. It's quite visual, it's a thing you can hold and feel, and that makes it different from drawing.
I mean, I can get things done if I need to, but I can really be completely irresponsible and procrastinate until the very, very, very bitter end. In fact, sometimes I work better under pressure.
I have been constantly shaping and reshaping my career. I laid a foundation by doing respectful work in all media. And I am happy with what I have done.
I noticed the drama majors on campus when I was at Notre Dame. They just seemed to be freer spirits than the rest of us. There was joy in their work; they were the only ones studying something whose work made them happy. I envied that.
When you're doing voice work, you're in a bubble where you just think about the story and the words. They record you on video while you're doing the voice work, so they capture how your face is moving and the gestures you make.
I've never traveled to promote anything I've been in. I've only been to about two or three premieres. The way I work, I do bits, and then I'm off to something else, whether it's theater or another project.
On 'Angel' I got to work a lot with Mike Massa, who was David Boreanaz' stunt double, and Mike would let me do most of my stuff by myself. I did almost all my fight scenes by myself.
My husband jokes that I'll invite people over for dinner and he won't know who they are or where I met them. But in my work world, I've never really been tempted to tell too much of my story.
I had to ride a horse once. In 'King Arthur.' I said I could ride, but I had to call for lessons on the day the deal was signed. I started out on this little chunky thing and slowly moved up. It was months of work.
After college, I went to Alley Theatre in Houston to work in their apprentice actor program. I thought I was gonna get discovered. It didn't happen. I moved back to Germantown, Tennessee, outside of Memphis, and taught at my old high school.
I'm always calculating what I want to do, who I want to be, what I want to accomplish. I don't need to worry about that - that's always there on a slow simmer. The muscle I have to work on is being more present.
I don't believe I can offend you in a comedy club. I don't believe I can offend you in a concert. A comedy club is a place where you work out material; you're trying material.
And I do think that earlier in my career, I did make a very conscious decision to make sure that I was doing work that wasn't necessarily given to me, and that people didn't necessarily think that I would be able to do.
So how critics will perceive your film or your work, or whether your movie is going to make $100 million at the box office, or whether you are going to be winning any awards - well, you have no control over that.
