I would like to host a show, something like travel or cooking or something like that, something I'm really interested in, and so I'm pitching a couple television shows.
When you travel across London, it can take two hours to get from one end of London to the other, when it actually takes me two hours to get up to Leicester.
I'm lucky in that I travel a lot for work. I also manage several holidays a year. I'm not someone who sits in the sun or goes sightseeing, though. If I go away, it will be for fishing or something like that.
I'm a Buddhist and active in my Buddhist's Association, and I'm actually a National Young Women's representative for the organization, so I travel a lot helping young women who are practicing Buddhism.
Travel is the most private of pleasures. There is no greater bore than the travel bore. We do not in the least want to hear what he has seen in Hong Kong.
I want to take piano lessons, I want to study at university, I want to travel, I want to do other parts, make another movie.
I left 'Dr Who' after 18 months, as my character was going nowhere. In truth, I wished I had never gone into it. Afterwards, all the scripts that came my way were for 15-year olds.
It wasn't the 'miracle of engineering' that is the human body that was filling me with a mad desire to live my days and nights in a pair of scrubs. The hard truth was I did not remotely want to be a surgeon. I actually just wanted to be on 'Grey's An...
In this play we're dealing with relative truths - who's lying, who's telling the truth. But underneath that, Ed and I have hit this deeper level of intimacy between old friends that comes out in the play.
I think that if you can convey a kind of a complexity, a mystery, a truth in stillness, that, to me, is really worth striving for, and I totally agree with Michael Fassbender in that less is more. If it's going on inside you, the camera will find it.
While I have corrected agreed factual errors, I have not been inhibited from writing what I felt to be the truth about The Prince of Wales.
The truth is, if I was maybe better or funnier or prettier, wouldn't I have starred in a movie? I can see it objectively as a businesswoman - if no one's buying your product, then there's not a desire for it.
I've been the type of guy, I've always been very forthcoming with how I feel. And that it doesn't make you less of a man to like go and be like, 'This is how I feel about you. This is the truth.'
Ultraconservatism is, to me, so illogical. Everywhere you go, conservatives want to cut, cut, cut, cut - cut money for powerless people. So, that's the biggest problem I have with them.
In the industry, you do need some ethics - if one film does well, then thousands get work and money comes back to the industry. I guess the bottomline is, if there are two versions, then the better one will click.
You could go out with a camcorder tomorrow and make a movie with virtually no money, but promoting a tiny low-budget movie costs $20 million. And the money they spend on the big movies is astronomical.
I grew up on a sugar plantation in Trinidad, on an expat estate, and that meant I had no idea about money until a lot later than most children.
It doesn't matter about money and fame and whatever. I really don't care about that. My thing is, I'm happy that I'm able to have kids have a hero and have someone that they can look up to.
If I did things for the money, I'd have done adverts in the 1980s, when I was hot enough to be offered them, and 'Police Academy 6,' which I was asked to write.
Any outfit that has to beg its listeners for money is an organization that has to constantly please its listeners or it will dry up and go away. It shouldn't work when you think about it.
When I met Apple, I made it very clear that I am an old punk and I have never done commercials or been sponsored. And I wasn't after their money.
