I think I've drawn from some of the most feminine women, like Jackie Kennedy. I am totally devastated that she's gone. She had it all.
I never did drugs and I can't really drink because I have zero tolerance for alcohol, so my vice became women. I was never faithful to most of them.
I fight for the environment because we only have one planet, but I see how the environment affects poverty and how the environment affects women around the world.
My interest in Women in Film came from attending the Crystal Awards in 1998 where Meryl Streep and producers Gale Anne Hurd and Lucy Fisher were honored with the annual award.
I think the roles in television are better for women right now. At this point, I don't want to continue doing the same things I've been doing in film because it's very limited.
I feel more comfortable doing films with groups of guys. It's a lot easier for me. There's a difference with women: you can't take them to dinner every night and go crazy.
It is important for women to feel beautiful when she looks in the mirror, and I tell women, 'If you don't feel beautiful, find one thing that you can look in that mirror and say, 'That is beautiful.'
It would be nice if models were allowed to be a more healthy weight - for the models, and for the young women who look up to them. We were athletic and healthy, and we looked like women.
Most single women have been in that situation where there is a silent guy in your group. You don't see him as boyfriend material. He's just there, but you know all the same people.
In painting, three things must be considered - the position of the viewer, the position of the object viewed, and the position of the light that illuminates the object.
If I or any other black can deliver at the box office, I'll get a lot of work. Too many young actors, regardless of their color, try to play an attitude on camera and fail to remember their job is to fit into an entertainment.
Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the nature of the material we're dealing with, there's usually a kind of a prevailing light attitude that's floating around.
I have the same attitude with work - I like to go to work, I like to work really hard I, like to give everything my all, I like to try things that are new, you know.
If I want to be the sexy Bipasha Basu, then I'll do a song here or a glam role there. But I want to be part of films that are watched, films that earn money and are new age, with author-backed roles.
Just call me a family man and an actor who digs his whole scene, side interests and all. Just say I feel mighty good at the ripe old age of 27.
I've always been a family entertainer. Every show I have done has been suitable for any age - parents never need to worry that, if they pop out of the room, I'll say anything untoward.
It's also very painful, because I feel, and I know, probably all women my age and older feel like we're better and have more to give and are more fun now.
The most formative time of our lives are the years between birth and age 21, when we explore who we are and learn from those who surround us.
It's not the normal way to look at things but I experienced death at a really young age and because of that it's been part of my mental landscape that death is really very possible.
In 1969, at the age of 19, I was lucky enough to work with George C. Scott in the definitive portrayal of his career over a period of many months and several countries on the definitive film version of Patton's WWII career.
I was never that famous, but I do think going to college and really getting away from the business and taking a true break is incredibly, incredibly important if you start acting at a young age.
