To me, a bag in a tree is like a flag of chaos, and when I remove it, I'm capturing the flag of the other side. In the end, it doesn't matter how ironic or serious or even effective on a larger scale bag snagging may be.
I know that some filmmakers strive for a kind of naturalistic approach, but you're never going to capture something that's really natural - just the simple fact that you choose to put a frame around something means that you've already chosen one part...
If you don't want to have to kill or capture every bad guy in the country, you have to reintegrate those who are willing to be reconciled and become part of the solution instead of a continued part of the problem. And then, above all, the resources.
You would have thought that after 9/11 the president would have finished the job in Afghanistan, and kept the focus on capturing Bin Laden and his al-Qaeda deputies, but he and his team gave top priority to their original plan to invade Iraq.
When I look at 'Napoleon Dynamite's style I'm reminded of how I spoke when I was an eight-year-old boy. It was just like capturing the essence of, 'Duh!' It was just like the stuff that I would say when I was like eight, nine, ten years old.
'American Graffiti' stayed in my mind, but I don't think to this day I've done a film that captured that same level of melancholy. It was so well done. Talking about it has given me the idea I might try harder to make that melancholy film!
As the CG in motion capture made it look realistic, it put more of an onus on the game makers to make the dialogue they're saying more realistic. It doesn't matter what they say when they're 8-bits, but if they look almost photo-real, it matters. Mor...
Should Sen. McCain capture the nomination as many assume, I believe this general election will offer the worst choices for President in my lifetime. I certainly can't vote for Hillary Clinton or Barack Obama based on their virulently anti-family poli...
I mean, it's not just one day you get up, bang, and you got Osama bin Laden. It's the kind of thing where an awful lot of people over a long period of time - thousands have worked this case and these issues and followed on the leads and captured bad ...
I started taking pictures when I was around 10, so I have been inadvertently been training my eye for it for years. Traveling gave me a ton of practice as well, and the ability, once you learn to properly manipulate and capture light and freeze any m...
Wallace: Ah, love, Gromit. That's the biggest trap of all. The tender trap, they call it. And that's how we'll capture this thing. A lovely lady rabbit. How could any hot-blooded rabbit beast resist?
[Syndrome captures a fuel truck in mid-air with his zero-point energy beam] Voice in crowd #1: The Supers have returned! Voice in crowd #2: Is that Fironic? Voice in crowd #3: Fironic? Voice in crowd #4: No, Fironic has a different outfit!
[Shan-Yu releases two captured Imperial scouts to give the Emperor a message] Shan-Yu: How many men does it take to deliver a message? [Hun Archer draws back his bow and aims] Hun Archer: One.
[Kirk and Scott run around the Enterprise's engineering section, evading capture, when they are finally cornered by an officer pointing a phaser at them - the same officer involved in the bar fight with Kirk in Iowa] Burly Cadet #1: Come with me, cup...
[first lines] Man cleaning doorknob: Thirty thousand. Maid: From the Russians? Man cleaning doorknob: No, from the French. From the Russians we capture more than that every day.
Fiction just has a lot more room for ambivalence and internal conflict, contradiction, and for me that sums up so much of what people felt after 9/11 - confusion even. And I think that's hard to capture in journalism.
I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your a...
Ants are so much like human beings as to be an embarrassment. They farm fungi, raise aphids as livestock, launch armies into war, use chemical sprays to alarm and confuse enemies, capture slaves, engage in child labour, exchange information ceaseless...
It was Bill Clinton who once pithily captured the contrast between the two parties when it came to selecting a presidential standard-bearer: "Democrats want to fall in love; Republicans just fall in line.
Not saving you from this storm, mutant,” he said. “Saving you for your later fate, we are.” His voice was weirdly inflected and metallic, like an automated answering machine. “Oh, good. Yoda captured us,” Fang whispered.
We stood, holding each other's faces, memorising every last detail. I was deperate with my own need to capture this last, lingering moment, desperate to forget the horrible sink at the pit of my stomach telling me all this would be lost forever once ...
