I'd think, 'In a relationship, we should never have his kind of fight.' Then, instead of figuring out how to make it work, I looked for a way to get out of it. The truth is, you shouldn't be married if your that kind of person.
Every relationship that we have in our lives - our contact with each person, place, and event - serves a very special, if yet to be realized purpose: They are mirrors that can serve to show us things about ourselves that can be realized in no other w...
We must restore the emotional relationship that people have to the idea of America, that no matter where you come from, no matter where you live, that you have access to the same opportunities that somebody who is born in privilege.
I'm not into 'Let's go out with one guy on a Monday and another guy on a Wednesday' - that's just not me. I'm a relationship kind of girl. I like a twosome. Some people get excited about being single. I don't.
I don't think the relationship between novels and realities are one to one. Of course novels play different roles. It's essentially just a long narrative form. What you use that long narrative form for can be very different.
That balance between involvement and detachment is what novelists do. It's the ideal relationship between a novelist and a character, I think, total involvement and identity and empathy, stopping short of being autobiographical - in my case, anyway -...
I think anybody who has had a long relationship and has had a really hard time letting go, wants to feel like it's not all for naught, and it's meaningful, because it makes you who you are.
If my career continues along its current arc, people will probably look at me and see a writer who is obsessed with the relationship between rich and poor and with how the rich somehow or other always manage to betray the poor, even when they don't m...
I was always depressed growing up. There wasn't a reason for it, I just was. I was sad and morose. I cried a lot, I wrote a lot, and I read a lot; and that was how I dealt with it.
Marketing has supplanted story as the primary force behind the worthiness of making a film, and that's a very sad thing. It's film only as a function of consumerism rather than as an important component of our culture, and that's everywhere around th...
I would not know how I am supposed to feel about many stories if not for the fact that the TV news personalities make sad faces for sad stories and happy faces for happy stories.
Save for thee and thy lessons, man in society would everywhere sink into a sad compound of the fiend and the wild beast; and this fallen world would be as certainly a moral as a natural wilderness.
August used to be a sad month for me. As the days went on, the thought of school starting weighed heavily upon my young frame. That, coupled with the oppressive heat and humidity of my native Washington, D.C., only seemed to heighten the misery.
I tried to get into comics initially after I graduated Clemson in 1994. I spent a year trying to get in, and I quit reading books because not getting in made me sad.
I've traveled around the country and I read local newspapers and all of that, and it's a sad, sad thing to go from city to city and see the small newspapers and they're tiny. They're tiny not only in size but also in scope.
I will be sad. I've gotten very attached to Harry and all that goes on in his world, I guess I'll just be kind of tasting every bit of it because it will be the last one.
The sad part about our past is that religions, ironically enough, are responsible for creating the most destructive idea that has ever been visited upon the human race: the idea that there is such a thing as 'better.'
Over a 10-year period, 99 out of 100 new entrepreneurs will fail. Only one will be left standing as others get pushed out of the market or burn out from working so hard. It's really sad.
Reggie Campbell and Kathleen Goldsmith are participants in an American success story, the unprecedented boom of home-buying by African-Americans in the 1990s. Only he is black and she is white. When he moved into the neighborhood, she moved out.
The characters I'm most emotionally involved with are like friends you leave behind when you move away. You don't see them regularly anymore, but you still love them and keep in touch.
What you need, above all else, is a love for your subject, whatever it is. You've got to be so deeply in love with your subject that when curve balls are thrown, when hurdles are put in place, you've got the energy to overcome them.
