In Rio we built a Center of Operations, a situation room that gathers information from municipal departments and allows us to manage and help decision-making. I can check the weather, the traffic and the location of city's waste collection trucks. Ea...
Actors aren't all the same. They have very different skills. There are actors of intellect who are very thoughtful about everything they do... and then there are actors of instinct who don't know what they're doing until the cameras roll... My father...
I've done panel shows, which I enjoy, and on those you're recording half-an-hour of TV and sometimes they film for two hours. But with 'Britain's Got Talent,' you're on camera for eight hours, with a large theatre audience watching - and in between y...
And it’s great to have all these readers and fans who, for the most part, are very nice people, saying they love the books and the TV show. But there are so many of them and it just doesn’t end. Oh, and ‘selfies’! If I could clap my hands and...
I've always been a homemaker, like, I like creating spaces. Even if I stay in a hotel, I'll unpack, I'll put my books out, I'll put my camera out, I'll throw a sweater over the lamp to get better light. I am a homemaker.
Sir Lancelot: Look, my liege! [trumpets play a fanfare as the camera cuts briefly to the sight of a majestic castle] King Arthur: [in awe] Camelot! Sir Galahad: [in awe] Camelot! Sir Lancelot: [in awe] Camelot! Patsy: [derisively] It's only a model! ...
Reuben: I know more about casino security than any man alive, I invented it, and it cannot be beaten. They got cameras, they got locks, they got watchers, they got timers, they got vaults, they got enough armed personnel to occupy Paris! [pause] Reub...
Finbar McBride: Well, there are people called train chasers. They follow a train and they film it. Olivia Harris: Are you a train chaser? Finbar McBride: No. Olivia Harris: How come? Finbar McBride: I don't know how to drive a car. And I don't own a ...
When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and ...
Aron Ralston: [to camera] What I could really use is about 20 meters of static wrap rope, 9.8 mil. Uh, three or four pulleys, a rack of carabiners, a sling, power drill, and bolt kit. Oh, and uh, eight burly men to do all the hauling.
We have parties at my house. My girlfriends and I play our iPods, with all of our favorite songs. We pick our songs and jump up on the counter and dance, and do runway stuff, and we take video with my camera. When I'm with my girlfriends, I act like ...
But if an actress asks me my opinion, I would tell her there are a million different designers who make faux fur. If you like that look, wear faux fur. If you're doing it on the red carpet, you're doing it for how it looks. Faux fur and real fur look...
I'm so happy that I finished college. Going into this crazy vortex of scrutiny is tough. If I was younger than I was now and I was going to fashion shows, I might have this distorted sense of self. I might rely on those cameras. Because when I was 18...
No camera, no recording device, no laptop, none of this palm pilot nonsense or a cell phone. Paper and pencil, a book, maybe a bilingual dictionary. Anything beyond that (a) can be stolen, and (b) intimidates people you encounter. The more double-A b...
I'm not someone who enjoys long talks, long rehearsals. I'm very technical: I tell my actors, you come in, you sit down, you pick up a coffee, you look here, you say the line. We try it with the cameras rolling, and if it doesn't work, we adjust it u...
The first scene I ever shot for 'Louie Bluie,' on that first day, I had never seen the camera before. I didn't know where to put it. I just knew what was strong about these guys and what I wanted to capture, so I tried to work backward from there and...
Ultimately — or at the limit — in order to see a photograph well, it is best to look away or close your eyes. 'The necessary condition for an image is sight,'Janouch told Kafka; and Kafka smiled and replied: 'We photograph things in order to driv...
The Photograph is violent: not because it shows violent tings, but because on each occasion (i)it fills the sight by force(i), and because in it nothing can be refused or transformed (that we can sometimes call it mild does not contradict its violenc...
Frames 221 to 223: The motorcade is now in front of the camera lens, moving ever so slowly. The President and First Lady are waving to the crowd. The President almost stands up to send kisses to a few ladies in the front rows, but the First Lady hold...
For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. In order to "give a meaning" to the world, one has to feel oneself involved in wha...
When I go to the bathrooms, I cannot take off my pants as before; because there is a light continuously blinking like a camera, everyone says it is just an environmental friendly lighting. Well, I cannot really trust it and I am not taking the risk o...
