My role, or anyone's role in network news, is to make the person on camera look good. You don't do that, you don't work there.
I feel as though the camera is almost a kind of voyeur in Mr. Bean's life, and you just watch this bizarre man going about his life in the way that he wants to.
I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.
I got a Super 8 camera when I was eight years old, and I just wanted to tell stories - I love telling stories.
The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.
Karl Malden was quite a mentor. He taught me things he had learned from being in front of a camera so long.
I always have a camera now that I've got a kid, but I don't think I've got one picture of anyone other than my daughter.
I always thought acting was all lights, camera, action. It's a job; you have to do your job correctly.
I am a camera with its shutter open, quite passive, recording, not thinking.
I'll go back to comedy clubs when they get a real no-camera policy, the same way they did with smoking.
Being in front of the camera, you never got to see the whole process from the conception of the script all the way through to the filming process.
A strange thing happens to me that I'm sure happens to a lot of actors when the camera starts rolling. I'm not 'me' any more.
I want to try to talk like normal people talk, not just stand there and bark at the camera.
I'd grab the camera and tell people what to do, and when I was 14, someone told me that it was called directing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
I believe your thoughts are your thoughts, but are you a human being in front of the camera, or an actor? They are two different things.
Theatre is liberating because it only works if it's truthful - that's what it requires. That's not true of film: the camera does lie.
I've been a big fan always of getting my camera in different places and trying to seek the unusual vantage point.
Vanessa Williams in person is like... the camera cannot capture how gorgeous this woman is! She is just so breathtaking.
The more you go on, the less you need people standing between you and the animal and the camera waving their arms about.
Television is a prisoner of dialogue and steady-cam. People walk down a hall, and the camera follows them around a corner.
