Ann Darrow: Do you always take the pictures yourself? Carl Denham: Ever since a trip I made to Africa. I'd have got a swell picture of a charging rhino, but the cameraman got scared. The darn fool, I was right there with a rifle! Seems he didn't trus...
The cameraman isn't thinking about whether you're good that day. He's too busy worrying about what he has to do.
I believe that the best cameraman is one who recognizes the source, the story, as the basis of his work.
I couldn't be a cameraman or a designer or an actor - I have to be a director because I learned how to do that from my dad.
Often I pretended to a cameraman to know less than I did. That way I got more cooperation.
In 2009, I served as AARP's Ambassador of Caregiving. With a producer and cameraman, I traveled the country for months, interviewing hundreds of caregivers.
I served at the Pentagon and at Fort Leavenworth - my job was video cameraman, and that allowed me to travel to places like Korea, Japan, Alaska, Germany and the Netherlands.
Starting at age 10, my personality and my identity all stemmed from employment. I had a set to be at. I was a certain way with the cameraman, a certain way with the makeup lady - a normal, routine environment.
My dad was an actor and a writer; my mum was a drama teacher. My grandma was an actress. My aunt is an actress. My granddad was a cameraman. They would've been surprised if I wanted to be a dentist or something like that.
People always seem to assume that we have a full, back-up support team - make-up, costume and a driver - but usually, in a war zone, there's only me and the cameraman.
In the old days, before there was such a thing as film schools, directors learned the camera by watching other directors, and learning from their own dailies, and listening to the cameraman, and seeing what would work. Some of those guys could cut th...
Anyone with a smart phone is a potential eyewitness cameraman capturing and transmitting stories at speeds that turn Reuter photos and traditional reporting into, well... yesterday's news.
WGON-TV Cameraman: Go ahead and leave. We'll be off the air by midnight; the emergency networks are taking over. Our responsibility is finished.
[last words] Cameraman: You're sure you don't want me to film the trench? Jane Livingstone: No. A trench is a trench. They're all the same.
There are times when it's absolutely appropriate to march up to someone, stick out your hand and introduce yourself, and times when it's best to let your male cameraman or producer do the talking and hang back until you've felt out the situation.
As a cameraman, I was paid to stand within a few feet of Yehudi Menuhin performing. I saw Rudolph Nureyev dancing. I couldn't believe I was being paid for that.
Yes, if I had it my way I would do all the shots myself - I used to do that when I was just a cameraman, an operator - but there's no way; you can't do that anymore.
There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course.
A friend of mine - a cameraman at MTV - lost a lot of weight from cycling, and I thought I'd try it, too, thinking whenever you look at a cyclist they all look super-skinny, so hey, why not? But then it turned into such a psychologically satisfying t...
My work is made on lines similar to those of a film production. A lot of my work is kind of bureaucratic, endlessly phoning up people, trying to find the cameraman and the lighting man, because I am a total technology-phobe, quite helpless with equip...
Every film I've ever worked on, and that includes 'Braveheart' and 'Trainspotting,' I've always witnessed a director having a breakdown. Every director will have a day, without exception, where they just can't do it anymore, they don't know what to s...