One of the towering people in this industry said, why don't you go and make a five-year contract with somebody, make yourself several million dollars and put it away, then go and do whatever you want, work for public TV if you want.
All the jobs I've gotten in the last two years are because directors have seen the work I've done - indie films, plays, short student films, TV - since I moved to the states in 1996. I mean, I have an entire career in Canada that nobody has seen.
In TV, when you're doing guest roles, you're gliding into a zone where people are already very comfortable. They go in and go to work every day. You're coming in, and it's a brand-new environment, so you have to get it... and then you're gone again.
So many people think they need to have serious equipment. In the magazines and the media, they see all this stylish stuff, especially on TV, and they think, That's what I need to make it work. You don't. I'm attempting a little bit of liberation here...
You don't make a movie by yourself; you certainly don't make a TV show by yourself. You invest people in their work. You make people feel comfortable in their jobs; you keep people talking.
I have no idea how to become successful in children's tv programming today other than to say that whereever you find that rare animal being pursued, insert yourself into its environment; get in the door in any position and work from within.
People get TV deals by doing something in their grandmother's basement. It is definitely the wave. Everybody is trying to do all that stuff. I mean, the Internet is the only reason that I've gotten work is because I've somehow created a line and peop...
When I open many books, or most leading women's magazines, or see almost all TV shows, I don't find myself at all. I am completely anonymous. My value system is not there.
We all hate on ourselves way too much, and there are so many people who think they have to look like those women on TV. That's so unreasonable. Everybody is supposed to be a different size. And if I can just be confident in myself, then I'll look bet...
I definitely am drawn to strong females who are successful, smart women because I am a woman like that. I think it's important to portray those kinds of women on film and television. Especially as a black woman, I think it's important.
There is all this controversy that women and girls are too skinny or too overweight. I say to just do martial arts and everything will be okay. You will tone up your body and find a confidence you can't find just sitting around watching TV and hangin...
I've been working some really long hours for the last five or six years. Anybody who works on series television knows, and especially women because women spend probably two hours more than the guys with all their hair and makeup crap.
I think 2001 was the year Al Jazeera started to play an international role, in a way. Because in 2001, we were the only TV station located inside Kabul, and every image out of the war in Afghanistan, the beginning of the war in Afghanistan, came thro...
I remember one night, my parents were out at a function of some kind and I had just gotten cable in my room. That was a big deal, and I saw 'Blue Velvet' on HBO. It blew my mind in a way that I don't think children's minds are supposed to be blown, b...
Jeffrey Goines: Telephone call? Telephone call? That's communication with the outside world. Doctor's *discretion*. Nuh-uh. Look, hey - all of these nuts could just make phone calls, they could spread insanity, oozing through telephone cables, oozing...
Mark Van Doren: I'm sorry, Charlie. I'm an old man, it's all a little difficult for me to comprehend! Charles Van Doren: It's television, Dad. It's... it's just... just television... Mark Van Doren: You make it sound like you didn't have a choice! Ch...
Jack Ridley: [talking to TV] Attaboy, Gus! [talking to Yeager] Jack Ridley: Pull that stuff on flight test, it's all over for him. I say he screwed the pooch, partner. Plain and simple. Chuck Yeager: Yeah, well, sometimes you get a pooch that can't b...
The God-fearing, churchgoing farmers are all gone. Now they all have TVs on their roofs and orgies in their barns. The flux, Fly, man, the flux of time. If everything goes tits up, there’s always the farm and the cows...
The average TV commercial of sixty seconds has one hundred and twenty half-second clips in it, or one-third of a second. We bombard people with sensation. That substitutes for thinking.
Mum just laughed gleefully at his mounting frustration, like the villainous matriarch in a Roald Dahl story. I suspect a TV guide would describe her idea of comedy as 'dark', or, at very best, 'alternative'.
See, some people politely encourage their tone-deaf friends to sing. Some people even convince them to go on live television and audition for national competitions. But me? I am not that friend.
