My preference is for good writing. It doesn't matter if it's for film or TV. Whatever. It starts with the writing. Even though I've had problems with writers, it doesn't matter how great of an actor you are. If the writing is bad, you're going to str...
As a philanthropist, I give away a lot of money every year. Yet I thought there was a higher leverage to come in and create movies and TV shows that were actually able to do some good in the world.
We end the show with something that's never been on TV because it was too big for a sketch but we couldn't stretch it out to make a whole episode because it would have been too long, but we always thought it was really good.
For me, acting was a reward. I had to get good grades in order to act, in order to be on TV. I had to do well in school so I could work. To me, it was like an after-school activity, something to look forward to.
We all are who we are. We're not necessarily good, and we're not necessarily bad. So much television, in the writing, is so one-dimensional, in that aspect, where you have your good guys and you have your bad guys.
Your personal life is something that's gonna last forever, and your career in stage, film, television, whatever, is not necessarily going to do that, so to keep the two separate's a very good thing.
The fact is that surveys which media people openly admit to show that fewer than twelve percent of their customers believe they're doing a good job, while the average profit margin in television is in the neighborhood of eighty percent.
I liked teaching, but the bureaucracy of academia and the petty intrigue... It wasn't a good fit. Once I admitted that myself, that I didn't like academia, I was ready to try TV.
My feet never touched the ground. Lots of good groups with crazy and unique images. It was wild. I spent all of my time doing gigs, TV appearances, interviews, or recording. I could write a book - and probably will.
When I went to college, we had a very good local following, but stations only televised two or three NCAA games a season. And when I went to Europe, once in a while we had a good crowd, but usually not.
The big difference between TV and theater is that you get to do a new play every week, so it's quite challenging, but it keeps you fresh. There's never any fear of getting stale in your performance.
The people I want are very famous and very rich, and all I can offer them is a bit of exposure on TV and a bit of cash, so it's a miracle we get any guests at all. But we have been very lucky.
The big thing that everyone forgets, you're famous and on TV and everything, but I think there's something very rewarding to be able to write a song, record it, and have it turn out as you heard it in your head, or even better.
Is letting our children watch TV a form of child abuse? If our children grow up knowing everything about Britney Spears and nothing about nature or faith, about anything, is that not a form of child abuse?
Our future is only limited by our commitment to keep the momentum going. Now that television has been set free from all constraints - including time, place, and all previous definitions - what comes next?
I do write a lot of children's songs, and I'm going to do a children's television show, which also means I'll be doing a lot of albums. So I do hope my future will hold a lot of things for children.
Without the BBC, the proliferation of television and radio channels by the private sector would simply result in more and more channels, with tiny audiences, all seeking to do the same thing. The future would be one of fragmentation - fragmentation w...
It was a JOB; the video show was a JOB; you don't tell the Aristocrats joke at 8 o'clock at night on network tv, it would be funny though. But those guys know I like dirty stuff, I like clean stuff too.
I just like the continue doing what I've been doing. A melange of funny, straight drama, television, movies, a little theater here and there wouldn't hurt. So if I can keep doing that, I'll be a very happy person.
Latinos, Asians, African-Americans, women - we're all trying to find our place in this world of cinema and television and theater. And the great thing with comedy is that most of the time, you could be orange. It doesn't matter, as long you're funny.
I don't think I'm really a rude person, but now I see myself on television, I think, 'Oh, God, that is a bit strong.' And I wonder if I've always been like that and I haven't been aware of it.
