Conspiracies are a perennial favorite for television producers because there is always a receptive audience.
This sounds really craven on some level, but on some level, a lot of what I'm doing is trying to not do a typical TV show.
Being a teacher at a restaurant in the town where you lived was a little like being a TV star...
I couldn't bloody believe a prime-time TV show would have an Iraqi ex-Republican Guard torturer as a main character.
I don't like being on television when I'm playing live. I don't even like being on Jools Holland or any of them programs.
I'd been gearing up to working in theatre since coming out of drama school, but it was an exciting time for TV drama - it was the birth of Channel 4, and Brookside was very cutting-edge at the time.
While the revolution will be certainly televised, it strikes me that there is a strong possibility that the revolution will also be crowd-funded.
The TV weatherman has always been one of the best, most secure jobs. They change anchors, they change the set, producers come and go. But the weather person hangs on forever!
The reason 'The Carol Burnett Show' did so well in the ratings is because people were looking for that comfort zone when the whole family sat around and watched television and enjoyed it.
I've been looking to do TV for a while. I've always done guest starring stuff. I've done a couple of multi-episode arcs, and I've always loved the experience.
It's hard to make a living at independent films, at least in my experience. It can be hard to be really creatively fulfilled in some television. Between the two, I get a bit of both.
TV is starting to become such a collective experience again. People are watching it on their own time, rather than being on a schedule. Netflix offers the easy opportunity to watch as much as you can.
Television is an isolating experience, sadly enough. I'm sorry to say it. But as good as it ever gets, it's still isolating. You sit in your home and visit with no one.
I've played the leads in two British TV series. I've done a bunch of mini-series. Everybody in Australia is a bit in awe of BBC. I've worked for there, and that was a great experience.
I had a great time working on 'The Gates,' and that was my first real experience doing supernatural television, working with the special effects and everything that goes into making a supernatural show.
Ed Sullivan brought me to TV first in 1952, then Garry Moore's program gave me a lot of confidence and freedom.
If you operate a TV or radio station, you have to have a license. It has nothing to do with fundamental freedom. It has to do with protection of the average citizen against abuses.
When I was a kid, our family used to watch 'Bonanza.' I really liked having a Sunday night TV ritual.
He's a TV producer, a theatrical impresario, and he wants to be treated as Mr. Windsor but when the going gets rough he wants to be treated like a member of the Royal Family.
In my family, in the days prior to television, we liked to while away the evenings by making ourselves miserable, solely based on our ability to speak the language viciously.
I always find that really interesting, you know, when I get to see characters that I love in TV and film and theater around their family.
