I don't own a radio. I listen to everything through apps or on my iPhone. And then I download the shows I like. Shows like 'Fresh Air', 'Radiolab', 'Snap Judgement', all those shows.
The Flash could do everything twice as fast. Except you never saw him think twice as fast or speak twice as fast. Could he do math faster than the other superheroes? Could he compute the tip for the bill twice as fast?
You get into this situation, performing for T.V., where you have to speak with utter sincerity. It's just like the radio. You have to say it like you mean it, even though the thing you're saying is actually planned out.
Many photographers feel their client is the subject. My client is a woman in Kansas who reads Vogue. I'm trying to intrigue, stimulate, feed her. My responsibility is to the reader. The severe portrait that is not the greatest joy in the world to the...
Sensitive people faced with the prospect of a camera portrait put on a face they think is the one they would like to show to the world... Every so often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe...
That Monaco crash was quite a big one - I pulled 33g when I hit the wall, which is a lot. It's a weird sensation - like all my skin and flesh was being pulled off my bones.
I would make the tea on a Daniel Day-Lewis set just to observe how he crafts roles like he did in 'My Left Foot.' That was the equivalent of seeing Haley's Comet for me. I just couldn't understand how that was possible.
It is quite possible we may have formed entirely erroneous ideas of what we actually see. The greenish gray patches may not be seas at all, nor the ruddy continents, solid land. Neither may the obscuring patches be clouds of vapor.
At a tiny station in New Albany, Indiana, which is right across from the river from Louisville, Kentucky, where I grew up. The Louisville stations were loath to hire beginners, so I had to go across the river.
I attribute my entire football career, as far as getting me started, getting me interested, keeping me that way was my father. He went to every game even though he was crippled and wasn't real healthy.
Today, free agency takes away a lot of your heroes, they go somewhere else. Some of them don't but a lot of them do-take the higher offer to go somewhere else. And, it turns the fans off because they get attached to the players.
I think that going to the beach as a child, being in the water and smelling that salt air and hearing the seagulls, it had a real calming effect. But also, it was a mysterious thing - I remember wondering what was under those dark New England seas.
I have photographed sharks in waters around the globe, and I always want more and yearn to peer deeper into their world. To feed my passion and to raise awareness, I developed a story about sharks for 'National Geographic' magazine.
The Bahamas has mangrove nurseries, coral reefs, shallow sea grass beds, and deep oceanic trenches - all perfect ecosystems for sharks. Photographing multiple shark species in exquisite water was the assignment I had dreamed about from the start.
I flipped through a book on harp seals in the late 1970s and saw images of them swimming in emerald green pools of water surrounded by huge sheets of ice. Right then I was hooked, and I knew this was a story I wanted to do.
I was the first journalist allowed on a hunting boat during harp seal season in almost 15 years. Around the late 1970s, white coat pups became the poster child for the anti-fur movement, and by the '80s, the media was lambasting the hunters for killi...
When I was in college, I would go out, and I would go to these open mic nights at Stitches and Nick's Comedy Stop, so I was going to classes during the day, and then at night, I would be signing up on the lists.
I almost never set out to photograph a landscape, nor do I think of my camera as a means of recording a mountain or an animal unless I absolutely need a 'record shot'. My first thought is always of light.
What I mean by photographing as a participant rather than observer is that I'm not only involved directly with some of the activities that I photograph, such as mountain climbing, but even when I'm not I have the philosophy that my mind and body are ...
I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcar...
