Sometimes I work on film sets. I've done this for 40 years. I always wanted to photograph on the set of an Ingmar Bergman film. Unfortunately, I never had the opportunity.
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.
If you so choose, each day can be filled with even more joy than the one before. If you so choose, even the most seemingly random events can work in your favor.
I get so tired of people saying, 'Oh, you only make fantasy films and this and that', and I'm like, 'Well no, fantasy is reality', that's what Lewis Carroll showed in his work.
Leaders aren't born they are made. And they are made just like anything else, through hard work. And that's the price we'll have to pay to achieve that goal, or any goal.
What's really important is to simplify. The work of most photographers would be improved immensely if they could do one thing: get rid of the extraneous. If you strive for simplicity, you are more likely to reach the viewer.
I try to consider each body of work on its own terms, discretely, so terms like 'sculpture' or 'photography', in their broad sense, don't really enter into my thinking.
I'm very particular who I work with. I'm not interested in portraying women with a cliched, generic look. I'm interested in a model who I can take a portrait of.
Excellence, then, is a state concerned with choice, lying in a mean, relative to us, this being determined by reason and in the way in which the man of practical wisdom would determine it.
It seems to me that, in every culture, I come across a chapter headed 'Wisdom.' And then I know exactly what is going to follow: 'Vanity of vanities, all is vanity.'
I knew that I had it tough compared to children around me. But I felt like I needed it. I think I had the wisdom as a child to know that it would help me later on.
… 's great mathematical poem ... { }
If you write a line of zeroes, it´s still nothing.
Baumauer secretly fears Kalist – and Kalist knows it.
I used to think 40 was old. Now I think, 'Hey, 40's hot!'
Whether it s the country or city, I never liked the bad guy.
Modernism, rebelling against the ornament of the 19th century, limited the vocabulary of the designer. Modernism emphasized straight lines, eliminating the expressive S curve. This made it harder to communicate emotions through design.
No man should marry until he has studied anatomy and dissected at least one woman.
The 70's hair with the long on the sides, just doesn't look good coming down the sides of the helmet.
A C.E.O.'s job is leadership, problem solving, and team building. I've done that my whole career.
L.A.'s become so cosmopolitan in its casting and also in its world view.
