Building your "dream life" is filled with things that can feel like the opposite of a dream: Mistakes Delays Starting over Failure The building part is actually more of a rebuilding that is a continual process. The building is not linear in nature bu...
But, like all metaphoric wars, the copyright wars are not actual conflicts of survival. Or at least, they are not conflicts for survival of a people or a society, even if they are wars of survival for certain businesses or, more accurately, business ...
Jimmy Johnston: Right here. Editorial says this fight is good as murder, and everybody associated with it should be hauled into court and prosecuted afterwords. They say the paper's gettin' all sorts of letters from people saying you're their inspira...
[Sunday dinner at the Corleone home... ] Sonny: Niggers havin' a real good time up in Harlem... Carlo Rizzi: I knew that was going to happen as soon as they tasted the big money. Connie: Papa never talked about business in front of the kids. Carlo Ri...
Sonny: Hey, whaddya gonna do, nice college boy, eh? Didn't want to get mixed up in the Family business, huh? Now you wanna gun down a police captain. Why? Because he slapped ya in the face a little bit? Hah? What do you think this is the Army, where ...
I adore this adventure, I adore working with youth. For me it's a daily challenge, working to help these youths realize their dreams.
I miss working with great actors, working with great directors.
If I'm working, I'm not D.J.'ing. And if I'm not working, I'm D.J.'ing all the time.
I don't see the point in working just to be working.
I don't work on longevity, I work on keeping people healthy.
You have to work hard at things.
All the real work is done in the rehearsal period.
I work hard, so I play harder.
My goal is to stay happy in my work and to do quality work.
I'm very much of the opinion that to work is better than not to work.
It isn't always hard work that does the job.
Every actor I've worked with I want to work with again.
Before the work comes to you, you have to invent work.
I eat less, stretch, and work out.
Betty Ford and I were colleagues for years, working together for women's rights in Washington, D.C., and elsewhere in the country.
A work-in-progress generates its own energy field. You, the artist or entrepreneur, are pouring love into the work; you are suffusing it with passion and intention and hope.
