I want to do a big Broadway musical, at some point. I would love to do that. To do something there would be super-cool.
By the time I started writing plays, Broadway was never an expectation, so it's never been central.
I love dancing; I adore salsa dancing and wish I could be in a Broadway chorus.
Broadway musicals, where you sing the whole time, I really don't like; I like alternating dialogue and music.
Jules: [talking about Mia, Marsellus Wallace's wife] I think her biggest deal was she starred in a pilot. Vincent: Pilot? What's a pilot? Jules: Well, you know the shows on TV? Vincent: I don't watch TV. Jules: Yeah, but, you are aware that there's a...
When I was little, I saw the play 'Les Miserables' on Broadway, I thought it was the most amazing thing I have ever seen.
I've been able to go on and have a successful career on Broadway and certainly the last five years in Las Vegas have been amazing.
I went to the Paradise Restaurant on 49th Street and Broadway which was where they were playing, and I sat in.
Once I found out how much an Off-Off-Broadway actor makes, I was whoring myself out the next day.
I certainly wanted my name in lights. I wanted my name on a marquee. I wanted recognition on Broadway.
Initially, I wanted to be an ice skater, but then when I was 13 I saw Bye Bye Birdie, and that was it - I wanted to be on Broadway.
One of the things I find very little of in America - and certainly not on Broadway - are plays with political attitudes.
I like pop, rock n' roll, big band, Broadway - I like all those elements.
I really hope for more Broadway. I didn't think I was going to love it this much. I would love to stay here.
I was, like, this token teen angst child of Broadway. It's so funny. What is that? I don't even know. But I loved it.
I love the theater community and theater life, and would love to figure out the distinctive differences between Broadway and the West End.
I grew up in a crazy, gypsy-like household of actors, dancers and loony Broadway people. It was their way of life, and I didn't know anything else.
In '75, the year both A Chorus Line and Chicago hit Broadway, my head spun around and I became the ultimate theater queen for life.
'Story of My Life' was essentially a two-man musical play. In hindsight, I don't know if there was room for a two-man musical on Broadway.
I'm not going to choose between classical, Broadway or pop. I would love to stay where I am now - a mix of everything.
I coach young people. I have a group called BTP - Broadway Theatre Project.
