I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New Yo...
It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo ...
When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they ...
Believing that Sibel was saying these things to me to make me angry, I got angry. But this is not to say that the fury owed nothing to my partial awareness that she was right.
I realized that the longing for art, like the longing for love, is a malady that blinds us, and makes us forget the things we already know, obscuring reality.
Clocks and calendars do not exist to remind us of the Time we've forgotten but to regulate our relations with others and indeed all of society, and this is how we use them.
The truths embodied in historical stories are thus not absolute or universal, but relative to the cultural context in which they are made.
I do not think that a museum needs to engage with pop culture in order to make itself interesting to museumgoers. Museums are already interesting and engaging with pop culture for its own sake is just a quick way to seem and become dated.
We know we are a species obsessed with itself and its own past and origins. We know we are capable of removing from the sanctuary of the earth shards and fragments, and gently placing them in museums. Great museums in great cities—the hallmarks of ...
... a man always revealed his own inner story in his actions and expressions. A man's past deeds foretold his future and allowed anyone with half a brain to divine the path he would take.
It was during my first trip to America in 1953 - that's when I learned to visit museums. I was then 26 years old. When I travel, the first thing I do is to visit museums. When I go to New York City, I usually go to Broadway to see the shows.
Well British pension funds have not been investing the savings of British people in British infrastructure.
I grew up in a very British family who had been transplanted to Canada, and my grandmother's house was filled with English books. I was a very early reader, so I was really brought up being surrounded with piles of British books and British newspaper...
I went to art school... but I worked at the Museum of Modern Art. I worked in fundraising at the information membership desk. I ended up, over a period of time, doubling the amount of membership revenue that came in through people entering the museum...
Any intelligent person knows that life is a beautiful thing and that the purpose of life is to be happy," said my father as he watched the three beauties. "But it seems only idiots are ever happy. How can we explain this?
With the death of my father, it wasn't just the objects of everyday life that had changed; even the most ordinary street scenes had become irreplaceable mementos of a lost world whose every detail figured in the meaning of the whole.
She looked out the window; in her eyes was the light that you see only in children arriving at a new place, or in young people still open to new influences, still curious about the world because they have not yet been scarred by life.
Nude paintings and sculptures are called "art" only in the museums.. Outside of the museums, It is "Absurdity" and "Vulgarity". To respect your own creative talent and the prosperity of your "art", let only the Gurus critique, suggest and guide you; ...
My form is more on the lines of a Chinese porcelain-jar juggler. They learn it as a child. They learn, learn, learn, learn - but not with a porcelain jar. Then, when they're ready to perform, they're taken to a museum, and they're given a porcelain j...
If I went to somewhere busy, I wouldn't last very long. I can't go to a museum - I'll last 10 or 15 minutes in a museum. The problem is that when one person asks for a photograph, then someone sees a flash goes off, then everyone else sort of... it's...
The principle victims of British policies are Unpeople—those whose lives are deemed worthless, expendable in the pursuit of power and commercial gain. They are the modern equivalent of the ‘savages’ of colonial days, who could be mown down by B...
