There is no conflict between best in British class and being a global newspaper. We are an international newspaper rooted in the City of London, and I think people understand that. The 'FT' stands out as a global niche product.
I have always liked clothes and fashion. And really, being a British male, I am automatically the best dressed person in any room - especially in America.
I seemed to belong to three countries: I had an apartment in Paris, a house in Hollywood, and when I married British theater director Peter Hall, I moved to London.
Britons seem to have given up on assimilating their Muslim population, with many British elites patting themselves on the back for their tolerance and multiculturalism.
It's weird, because usually if you're British and you go to America you play baddies; but I play naughty people here and goodies in America.
It would not be fair to the critics of Rotary, who include some of the most brilliant of the British and American writers, to charge them with prejudice.
The British security industry has the capacity to be a world leader and it should be our shared objective to achieve this.
I grew up near the sea in British Columbia and San Francisco, and lived in Malibu and Fiji for years. I get uncomfortable being too far inland.
Each section of the British Isles has its own way of laughing, except Wales, which doesn't.
Although I don't have anything against people from other countries, the higher the influx into England the more the British identity disappears.
My father was a poor man, very poor in a British colonial possession where class and race were very important.
One of the hallmarks that a British actor brings to his public persona is an adept sense of self-deprecation - see Daniel Craig and Damian Lewis.
It all went back to problems we had talked about before, you know, such as the British not believing in formation bombing and not believing in daytime bombing.
My story is the story of many postwar British families. Upward mobility. A council house and then new affluence.
It has, therefore, been a favorite boast of the people of Wales and Cornwall, that the original British stock flourishes in its unmixed purity only among them.
Between Clive Owen winning at the Golden Globes and the British Academy announcing its nominations, of which Sideways received only one, I'm feeling pretty humbled these days.
I think a British icon is someone who conducts themself with real dignity: someone who is truly talented and modest. These are things that I would aspire to in my career.
Uncontrolled, mass immigration displaces British workers, forces people onto benefits, and suppresses wages for the low-paid.
I have a dialect myself; it's more pronounced, because I have studied theatre and been in England. It's half-British, half-Indian.
The British theatre and establishment is so hard to penetrate, and there are so many talented people involved in it. So, to be counted among some of those actresses... It doesn't get better than that.
Francis Underwood was entirely based on Richard III. When Michael Dobbs wrote 'House of Cards' in the original British series, Richard III is what he based the character on.