You know, be an actor because you love to act. Don't be an actor because you think you're going to get famous, because that's luck.
Thing is, I'm a funny actor, but I'm not good at being funny. I'm going to ramble for a second: I'm an actor who can make things funny in the moment, like in stakes or in circumstances or out of character.
Actors have bodyguards and entourages not because anybody wants to hurt them - who would want to hurt an actor? - but because they want to get recognized. God forbid someone doesn't recognize them.
Actors who are lovers in real life are often incapable if playing the part of lovers to an audience. It is equally true that sympathy between actors who are not lovers may create a temporary emotion that is perfectly sincere.
I'd love to see the rushes but it's just not allowed because directors and also a lot of actors feel that if they see their work, and the director likes what they're doing, the actor might try to correct their mistakes.
You want a place where you can say that this is your show that you invested in with other actors, but there's also that flexibility of being a recurring actor.
There's probably a half-dozen movie actors I really like. But a lot of them just aren't that interesting.
Actors can't retire. If actors retired, there would be nobody left to play old, wrinkly people. You have to keep going, darling - don't you?
When I'm a director, I look at myself the actor as a completely different person. It's somebody else up there, an actor playing a role. I keep myself out of it.
There's no doubt in the world that directing makes you a better actor. Me, anyway. There's no doubt in the world that it makes me a more collaborative actor.
There are only so many hilarious actors so when they cross-pollinate, people assume it's always the same actors and directors.
I want to try something different in Hollywood, to tell the audience I am not just an actor star - I am an actor, too.
One of the rules about being an actor or an actress is that you never diss other actors or actresses, particularly when you don't know them.
I had to learn how to become a real actor, I had to suffer and be rejected and face that 100 times just like every actor. It wasn't like someone handed it to me.
When audiences look at an action actor like myself, sometimes we are very easily stereotyped or characterized as one type. They forget that we are actors, too.
I don't have fights with actors. In absolute honesty, I've never fought with any actor ever.
I came out of the old Second City in Chicago. Chicago actors are more hard-nosed. They're tough on themselves and their fellow actors. They're self-demanding.
I'm a character actor but unlike a lot of character actors, I don't look radically different from film to film and there was a bunch of them at once.
People imagine that actors are being offered everything and you are not. So things come in and sometimes there are things that I want and can't get a meeting on, or go to a different actors.
When the major studios flourished many years ago, an actor was groomed, developed, and worked frequently at his craft. The studios really took care of their actors.
I knew I wanted to be an actor, and my mother said, 'Call Aaron Sorkin.' It seemed dubious that I'd make it as an actor by calling Jews I knew, but it worked.
