I'm interested in working with groups of actors to tell complicated stories about what's happening to people, and that's because I came out of the theatre where I worked in ensembles, and I really loved that.
When I made 'Hard Boiled,' I had no idea that it would be released to an international audience. I just wanted to make a film to team up my two favorite actors, Tony Leung and Chow Yun-Fat.
I did a lot of theater, so especially as an on-camera camera actor, there are so many things that aren't in your toolbox. They're somebody else's job. You think about editors and rhythm. Volume isn't even in your control.
As an actor, I'm my own worst critic, but after awhile, really, when you watch 'Moonrise Kingdom', it's such a fantastic film that you sort of get sucked into the story, and then you kind of forget about everything else.
I think everyone's different but in comedy, I try to do my scene to make the director and the other actors laugh. If I can make them laugh and we have the same sensibility, then I'm on the right page.
My parents are very modern. My father is a cosmopolitan person. He always supported the fact that I will be an actress. There is nothing else I would do rather than being an actor.
'Moral police' is my new word. I am very against the media doing moral policing, giving opinions on actor's lives. Media should not become moral police; they should just report.
Playing a robot is possibly the most difficult role you can have as an actor, because you have to take all your innate emotional responses and completely suppress them. Even the way you walk is affected.
I have a PC because I don't know how to use a Mac. Actors always have Macs with them, and when I try to use someone else's, I can't get the hang of it. It's very strange; I don't like it.
There are many actors who'll make their living in other areas, and they'll say they don't like theatre. What they're saying is that they're afraid of theatre because they know it will separate those who can from those who can't.
The stigma that used to exist many years ago, that actors from film don't do television, seems to have disappeared. That camera doesn't know it's a TV camera... or even a streaming camera. It's just a camera.
I've always found it strange that a director can hire any designer he wants from any country. But if he hires a foreign actor, it's like he's stolen the crown jewels and run across the river with them.
When you're a young actor you like to go for characters with a bit of flair, so in many films I ended up playing the weirdos. I can assure you I'm not a psycho or a criminal or a bully.
Actors walk around wearing these little tool-belts of acting skills. And I just don't find that interesting to watch. I never want to see someone who clearly can cry at the drop of a hat. That's so uninteresting.
There's only so much you can do until you get on set and see the aesthetics of what you're dealing with. Then you see what the other players are giving to you. It's all about the transfer of energy between different actors.
Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.
Young actors often ask me how do you get an agent, how do you get started, how do you get to audition, and I don't know what to tell them because my story is so fluky.
I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.
I met Roger Ebert at an independent-film awards or something. And he said, 'When I saw you just now, I wanted to punch you in the face. And then I had to remember you're an actor. So, congratulations!' Those are my accolades.
Personally, when I'm not working, I like to do as many things outside of the industry as I can - other things that make me happy. You kind of need to be grounded in something else besides just being an actor.
In silent films, quite complex plots are built around action, setting, and the actors' gestures and facial expressions, with a very few storyboards to nail down specific plot points.
