I've been really terrible in a lot of things because I learned by making mistakes. That makes you a different kind of actor, because you have to figure out for yourself what you do.
That's one of the things about theater vs. film - with theater, actors have a little more control, and one of the disappointing things about films is that once you're done shooting, anything can happen, you know?
The only thing we are as actors are messengers. That's all we are. Correct? We are delivering the playwright's intention through the concept of the director. And I come on stage; if I feel confident in the role, then I give it away.
If you are the kind of guy who draws in 100 million people to see his film, you've got every right to be paid accordingly, but I qualify as a character actor. I don't put a bum on a seat.
Beyond any role that I ever had, really early on as a stand-up, I would see actors decide to try it and they would bomb miserably. What I realized was that stand-up, acting and writing are all their own disciplines.
I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
You fight for certain roles, and you realise they're being filled by television and film actors, because theatre is constantly fighting for survival and they need names and faces and ticket sales.
When you're doing that TV thing, you're doing the same thing for years and years. You can fall into bad habits as an actor and I think it can take a toll on your ability to act, which I think is scary.
Waiters are like actors waiting in the wings, bantering whenever we passed each other on the restaurant floor, shouting at each other backstage in the kitchen and winking and corpsing above the heads of our audience, the unsuspecting customers.
As a jobbing actor, you can't afford to be choosy; if you're typed, you're generally working. I still feel that way, and the thing is, even within the horror genre, I now get to play all kinds of different roles.
Actors make bad lovers. Their most important kiss is for the camera. Not in a superficial way, in a really deep way. They can only give everything if they know someone is going to shout cut!
But I don't really care for directors flaring up and trying to humble some actor, which they would do to try and make an example out of them so everybody else would stay on the ball - and David wasn't anything like that.
My acting ability would have sent me back to the post office. It was my singing that got me jobs. Ironically, now, people think of me as an actor and don't know me much as a singer.
For aspiring actors out there, I would say stay focused and don't let anyone pull you away from your goals. Shoot for the stars so that if you ever fall short you can land on the clouds.
I have realized that intensity is my unique point. I don't have to attempt it; it's innate. So, when every actor is seeking his individuality, I guess I have already found mine.
I used to have the most visceral response to having my photo taken. I felt like instantly bursting into tears and running out of the room. I hated all the attention, which is such a stupid thing for an actor to say.
The real, raw, driven-to-tears type scenes have always scared me since I was very young working as an actor. And to this very day, I get tremendously neurotic making sure nothing is forced or fake.
An actor's career doesn't feel like just one career to me. It feels like about five or six. Because every six or seven years, you look in the mirror and you have a completely different product.
What bothers me is our culture's obsession with nudity. It shouldn't be a big deal, but it is. I think this overemphasis with nudity makes actors nervous. There's the worry about seeing one's body dissected, misrepresented, played and replayed on the...
I really have no ulterior motive in taking on certain roles. I have no larger issue that I really want to show people. I'm an actor, that's all. I just do what I do.
I do build my own backstory as an actor. It's important to know where your characters have come from in order to know where they're going - in order to exist in that state of being.
