I mean, the acting school I went to, we did have a social experience, but you know, when it's a bunch of actors, it's everyone self-consciously having a social experience rather than just having a social experience.
It'd be disingenuous to say I don't like attention - I'm an actor for God's sake - and it's flattering and all, but attention was never my big goal. I just like to work and have a good time.
I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you, acting with your entire soul.
I had great faith in Irish actors, that they'd be hip to the whole theatre thing, and they are. I had no illusions of coming over here as some kind of big shot. It's been a learning experience for me too.
You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'
I love working with older actors because number one, I can learn so much from them because they have so much experience. And it's fun to hear their stories from their era, some of the jokes.
The way I look at the world, if you can't find a way to get something good out of the experience, then you have lived an unhappy life. All the actors I have worked with, superstars or otherwise, I have enjoyed.
I started off on stage because it was the only work I could get. I haven't been back for 11 years. I think any stage experience is good experience, as far as being an actor is concerned.
There's nothing that's in an actor's control. I've learned at this point you do things and you let them go. There's no way to control the outcome. The only thing I have any sort of reign over is my own experience.
My generation of Americans, the scions of daring dreamers, the children of the fearlessly faithful and the offspring of many of history's most audacious actors - we, together, drink deeply from wells of freedom, liberty and opportunity that we did no...
I feel that, as an actor, you're constantly working to become better, which I love, but with painting, I can fail on my own terms. There's a freedom in that, so that's why I love to paint.
One must never assume that a character is sympathetic because of either the actor playing them or the fact that they're a lead. I think that's a recipe for failure, actually, because if they become unsympathetic, you lose your audience.
I come from a family of actors. My grandfather was like a Laurence Olivier with the Comedie Francaise. Since I was four I went every week to the Comedie Francaise. My aunt and grandmother were there, but my grandfather was a big star.
There are actors who aren't on the cover of magazines but still decide what work they want and when they want it. I want a family one day. So I dream of really being able to decide when to work and when not to.
I love TV now, and 'Modern Family,' but what draws me back to theater is that initial instinct of wanting to be a theater actor. I love the challenge of starting a play and not stopping until you finish. I love the immediacy of trusting your instinct...
I never saw myself so much as an actor. I wanted to be a cartoonist like Charles M. Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.
I find that balancing my life with my work with the kids at St. Jude, working on books, working on my career as an actor and taking time out for my husband and family help to cushion a lot of the blows.
In many ways, education is a lousy business. Teachers are not normal economic actors; almost all of them work for less money than they might fetch in some other industry, given their skills and advanced degrees.
Many American TV actors employ agents, managers, business managers, publicists and stylists, and are now adding digital media manager to the list. Their job is to reach out to the fans, managing websites, Twitter feeds, Facebook and Wikipedia.
My brother started in the music business, and I was an actor - we were both in the entertainment industry, but doing separate things. Then he went over to New Line and started their soundtrack department, that's how he got his foot in the door.
In terms of Cube I think he's very conscious of the technical aspect of the business whereas when you're just hired as an actor, you're not really secure in that part of your work and you're not really paying attention to where the camera.
