When I was younger, I looked to actors like they were from another planet. You couldn't believe you could be anywhere near that world. It was exciting. I kind of like that.
Actors have a magic gene within them - I think they're the finest descendants of rogues and vagabonds - and it's all too easily forgotten what the acting legacy is.
I had three influential teachers. The first was Uta Hagen. The second two, Bobby Lewis and my late husband, Charles Kakatsakis, were both from the Actors Studio.
It was difficult every ten days having a new director. I'm a real collaborator and, as an actor, I want to be directed. It's hard for me to shift gears.
I can tell you the actor who I admire the most. Billy Crudup. Do you know who he is? He's awesome.
As an actor, you're tied to the writing. You live and die by what's written for you. And you can elevate that to a certain extent, but really, that's your blueprint.
Yeah, well I've always played comedy. My background is musical comedy theatre and that's really where my training is. As an actor, that's my training.
My background is in musical comedy. I didn't know I was going to be an actor. But all my points of reference have to do with musical comedy and in being kind of a showoff.
It's what actors call a big, juicy part, when you're a leading man. I don't get a lot of those. I get a lot of supporting things.
In England, and all over Europe, and all over the world, actors act until they die. They get old, really old, and they're still working. They just keep doing it.
After 'Brothers & Sisters' ended, I was back to the old game as an actor. Doing pilot season, choosing a script and figuring out what I wanted to do.
When you're just an actor, maybe not the top of the list guys, you get constant rejection and it's fun.
Growing up I wanted to be a mixture of Audrey Hepburn and Lucille Ball. Apparently I told my mum when I was eight that I wanted to be an actor.
I wanted to give my actor a break. I wanted to live and to learn English. I wanted to be anything, a cabdriver, a busboy, anything to keep me away from acting for a while.
The nice thing is that, at least in Los Angeles, I'm known as a character actor and I do auditions for other things besides just cartoon shows.
As an actor it's your job to empathise with your character regardless of whether they have a different sexual orientation, spiritual beliefs, or anything.
My mother, Evelyn, was an actress and singer, and my father, Jack, was an actor. My earliest recollection of my father is being taken to see him in a matinee.
I always think instinct is more interesting than anything you can think up. I mistrust and am rather bored with actors who are of the Stanislavski school who think about detail.
There are countless fantastic actors out there who are being denied the opportunity to play Broadway because they're not a name, and I think that's kind of wrong.
Knowing what thought process goes into constructing a line helps an actor know how to deliver that line because you understand the intention behind the writing.
I think that between the egos of the actors and the wrestlers in this country we are taking away from the truly dedicated and informed people who should be getting their voice heard.
