I'm always amazed at the way some actors' behaviour is truly disgusting. That's one thing that will never happen on one of my sets if I ever direct.
I used to joke I was a point-and-click actor. My whole process has been about trusting your instincts and hitting your mark.
If I can make a career for myself after Potter, and it goes well, and is varied and with longevity, then that puts to bed the 'child actors argument'.
My taste in the films I've taken as an actor is similar to what I'd do a director or writer: all quite odd, challenging stuff, slightly off-the-wall.
I really want my career to be as an actor-writer-director-producer, you know? I don't know what will be stronger than the other.
The auditioning process is one in which the actor gets very little information about almost every element of it.
It's head and heart. I like to feed both. I always wanted to be an actor. But the cultural-intellectual side of things has always excited me. I wouldn't want to let it go.
There's nothing like a play. It's so immediate and every performance is different. As an actor, you have the most control over what the audience is seeing.
The way they do things in the U.S., if you have a show, you'll option your actors for five, six or seven seasons. In the U.K., we just don't have the financing to be able to do that.
I know that some actors take acting terribly seriously. I take it seriously in that if someone pays me to do it I know I have to deliver.
You can't manufacture a career as an actor because you aren't in control of what projects come to you, unless you are No. 1, two, three or four in the world.
They say making laws is like making sausages. You shouldn't watch. It's the same for acting, especially for the actor who works unconsciously.
I really appreciate an actor who has paid their dues and who has learned hard knocks and has been rewarded in the end.
I mean, Joel talks to the actors more than I do and I probably do production stuff a little more than he does.
I don't have a story about an epiphany in which I suddenly realised I wanted to be an actor. It was much more a case of the idea dawning on me gradually.
I didn't realise my upbringing was unusual until my teens. As the child of two actors, I presumed that visiting film sets and being surrounded by colourful characters was normal.
Actors are always grabbing each other on stage, looking in each other's eyes, making a moment so private, the audience doesn't know what they're doing.
I always found when I was reading an interview with an actor that I wasn't interested in their political opinions - I just wanted to know what they'd had for breakfast.
I don't know which other actor has done as many hot scenes as I have. I pretty much have the monopoly in the bed scene market in Bollywood.
It is fun to see girls going mad about me or dancing around to get one glimpse of me. These are major perks of being an actor. But you need to be cautious and respectful.
I was mainly a stage actor. I found film acting mechanical, because it was so technical - there was so much technique with the lamps and the movements of the camera.
