Living as an actor is rather like living life on the trapezes in a circus. Every time you jump on, you have to pray that, when the time comes for you to jump off, there is another trapeze swinging your way.
'Brooklyn's Finest,' this is the kind of movie that's why I want to be an actor, to tell real-life stories. This is where I feel my job is, to interpret life.
By definition, an actor's life is a recipe for regret. There are always roads you could have taken. But I've lived long enough to realise that each road has its own rewards.
I go to the theater because I need help dealing with my life; I want to see the greatest questions addressed. I need to see actors grappling with things that matter.
I love it when talented actors can bring characters to life. Anybody who wears their feelings on their sleeve and has a harder, crusty shell - like I do - is definitely protecting an inner sensitivity.
I see a lot of actors for whom life becomes one big schedule. I guess I try to be more sensitive to my private life - to take a breath of fresh air and be in the countryside or on a golf course.
Child actors come off as work being their life and doing it 24/7, but I still have those days where it's totally, like, whatever: shopping, movies, adventures.
There are some tremendous actors in the U.K. who have been knighted, and I've spent much of my life admiring many of them, like Laurence Olivier. So it's very flattering to be in their company.
Just be yourself. As an actor, you pretend all day - that's what the job calls for. So, when it comes to my personal life, a woman who keeps it real is a breath of fresh air.
An actor must interpret life, and in order to do so must be willing to accept all the experiences life has to offer. In fact, he must seek out more of life than life puts at his feet.
The strongest moments in my life are when I'm filming. It's an adventure. As an actor I try to seduce someone, try to share something. The rest of my time is spent exploring experiences with women.
In movies, you get to explore parts of yourself that in real life, people shy away from, like looking stupid or embarrassing yourself or getting too angry, anything inappropriate. As an actor, you walk into those moments.
When I became a director, I wanted to convince a very reluctant Sidney into allowing me to go on the journey of his life. Sidney had gone ahead of every other African American actor.
What the actor is in private life, he is to a large extent on the stage, because he cannot conceal himself and his true personality from his audience.
Our stories come from our lives and from the playwright's pen, the mind of the actor, the roles we create, the artistry of life itself and the quest for peace.
I'm in the very fortunate position as a young actor to not have to take the first job that comes along. I'm not motivated by money at this stage in my life, I'm motivated by work.
As an actor, you accept that you have to publicise what you do, but as for the whole personal life thing that people sometimes choose, no, that's not for me. I've always kept the focus on my work.
Life as an actor has toughened me up, and I've learned that you shouldn't take things too personally. Someone once said that to do this job you need talent, luck and a thick skin - which is so true.
Relationships are hard. If as an actor you marry an engineer or a doctor, it's really hard for them because they don't understand what your life is like. We live two lives. We have a 'reel' life and a real life.
As an actor and as a person you come together with being in familiar territory although that has not been my whole life. That's been a part of it. I think a lot of people associate me with the west because of Sundance.
I think, in our life I think that when you are an actor, when you are a producer, you have to be very discreet about your personal life, and you have to be closed in, in harmony and in affection and in everything.
