Second only to a viable approach to acting, the most important thing an actor can find is a creative family. To have a solid core group of people that you take that journey with together is invaluable.
When I was doing 'All in the Family,' half the time, I was looking at where the cameras were, where were the other actors in the scene, what the audience was doing.
As a child, I always remember our home, which was a flat just on the Barnes side of Hammersmith Bridge in London, buzzing with actors such as Patrick McGee and Peter Bowles. We were a family who were always on the go.
I have one friend that I've had since I was born, and she's from Coatzacoalcos. She's not really impressed or interested in the actor's life. My family isn't really either.
I think actors always retain one foot in the cradle. We're switched on to our youth, to our childhood. We have to be because we're in the business of transferring emotions to other people.
If my kids decide to be actors and really, truly love it and are passionate about it, then I would definitely want to help them along their way, but it's a tough business.
When something happens, I always check myself and know it's going to go away. So be prepared for it. This is a tough business for actors who are sensitive. If you try to hold on to things, you'll go crazy.
I was always a singer. But I was always focused on being an actor as my trade. Music I do just for me. The movie business is very difficult but the music business is just impossible.
I remember that Jack Lemmon, who is one of my favorite actors of all time, says that the day he stops being nervous is the day he should leave the business.
When you come from a family of actors, people in show business, they really know to celebrate good news and to celebrate it hard because it's not every day that you get it.
I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.
The weird thing about this business - and I'm sure this operates in many other things, but it's very present and acute in this business - is that a lot of people don't realize that they have power. Particularly actors.
At the time I was growing up in the business I was very well established within the industry as a child actor and as I grew up and turned into a teenager there was less and less work.
It was always my dream to be a director. A lot of it had to do with controlling my own destiny, because as a young actor you feel at everyone's disposal. But I wanted to become a leader in the business.
I used to say that I wanted someone cute and nice, an actor too, so he'd get it. But now I think it would be good for me to date someone who's not in the business.
I just wanted to be in show business. I didn't care if I was going to be an actor or a magician or what. Comedy was a point of the least resistance, really. And on the simplest level, I loved comedy.
I am a sensitive writer, actor and director. Talking business disgusts me. If you want to talk business, call my disgusting personal manager.
I want to work as hard as I can. But I also want six kids! It takes a lot of courage as an actor to take time off for family. But family is everything.
The chance to play a romantic character who kisses somebody onscreen was one of the elements that made me want to do 'The Stand.' The more you can do, the better, and I've been known as a character actor.
As an actor, you don't often get a chance to know exactly the impact of what the audience is seeing, even though you can ask where the frame is. A move that feels tiny can be huge, and vice versa.
It's a great challenge to get to play a real-life character. Every actor would love to get a chance, at least once in his life, to play a real-life character.
