The ladder of success in Hollywood is usually a press agent, actor, director, producer, leading man; and you are a star if you sleep with each of them in that order. Crude, but true.
I'd just love to have an audience and it's the most fun in the world to get a new script every week and have the audience come in, and work with those actors.
You're not a star until you love yourself. Directors, yeah, they've got to love their own philosophies. But actors have to really love themselves.
I am an actor, and although I love music, and at times can't live without it, I eat, sleep, breath, sweat, and bleed acting.
You never really know as an actor; it's completely out of your control, in terms of editing, and music, and film stock, shot selection, and what takes they use.
You've got Corey Feldman doing his thing, and the problem is, they're trying to be pop stars. You can't compare Salty to any of the other actors out there playing music.
Anyone who has that weird volition to become an actor probably has a weird volition to do lots of other creative things - to write, to play music, to paint, to cook.
I think that there's a tendency for actors who play strong women to have them take on all the worst characteristics of men, to become cold and detached and hardened.
I'm an actor, but I'm also a feminist, and a lot of times in movies there are things that I cannot imagine happening that are on the screen and totally accepted. And I just go, 'Whaaat?'
You know when you watch old movies, it's always the small parts you remember, the character actors who come in like a breath of fresh air.
I imagine it was much different in the 1970s. That was the Renaissance for black actors, albeit in blaxploitation movies. There was a much greater preponderance of work then than there is now.
The thing about romance and romantic movies is that they can be somewhat melodramatic. For a lot of actors, there's a certain cringe factor that's involved with that.
Right now, if you're interested in being a dramatic actor, they're not making that many just regular dramas. Movies have to have some other thing going on.
So, one way or another, I found myself in a few movies. I take it seriously when I'm on the set, but I don't take myself seriously as an actor.
I watched so many comic book movies where the actors weren't as built as the characters in the book. It made me mad because they didn't look right.
In film, movies' schedules are based on three things: actors' availabilities, when are sets being built, when you can rent the place you're going to film in.
It's not like I sit around watching my movies again and again, but I've never quite believed actors when they say they don't watch themselves.
Some actors get by with behaving, not acting. You've got to sell the effect. I act more in the 'Nightmare' movies because it's not like me. I'm acting, not reacting.
Every actor has his own identity. I don't aspire to be Bond. My quest is to do something new, something different.
Hollywood is a very strong machine that needs, and in... especially with female actors, fresh flesh. It's that cruel. But that's the way it is.
I always say this - As an actor, we're lucky to get a job. Then we're lucky that anybody gives a damn to watch the thing that we're in.
