One of my earliest memories is of being about three and a half, climbing through the legs of a man who I didn't know was the famous actor, Patrick Magee.
I must have had faith that day. When I went out, I was Henry Fonda again. An unemployed actor but a man.
You can't be a casual observer of something humorous - you have to engage, you have to find it funny for the relationship between actor and audience to work.
It was funny on '24' because I'm a Scots-Canadian, and I was working with the great Scottish actor Tony Curran, and we were both playing Russian gangsters.
Jake Johnson wanted to make clear that he was the great American actor, not just the funny guy on 'New Girl.'
In all my years as an actor, I had never been me - I had always hidden behind my glasses, mustaches and funny voices.
I snootily say I can't take too many dramatic parts, as it's taking work from actors who aren't funny.
I can't think of a more pathetic situation for an actor than to do a film and not connect to it. And I pray to God that I never face that situation.
God, I hate interviews with actors pouncing on. Who wants to know about their lives? I don't want to know about Al Pacino's life.
I don't know what is better than the work that is given to the actor-to teach the human heart the knowledge of itself.
Shows have asked a lot of actors to take cuts. Shows are going off the air. So okay, life goes on.
The crushing, pitiful, and frequently just plain risible pathos of an unsuccessful actor/performer's life is well charted.
You're creating a different world and the actor's job is to be able to convince the audience to enter into that world, whether it be actually something that you recognize from your own life or not.
The year you win an Oscar is the fastest year in a Hollywood actor's life. Twelve months later they ask, 'Who won the Oscar last year?'
The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.
Much of the time, as an actor, you sit around waiting. Most of your life and career, you're waiting for your agent or your manager to call you.
What we consider typical of the male is a question I ask myself quite often - it's relevant to my life as an actor and as a man.
I told my parents I wanted to be an actor, and they were getting ready for a life of unemployment, so they're just happy I'm in work!
I grew up in a crazy, gypsy-like household of actors, dancers and loony Broadway people. It was their way of life, and I didn't know anything else.
I learned so much by being an actor, and part of my sort-of development as a writer is big thanks to the scripts I read in my acting life.
I think the life of an actor is glamorous to other people, but then the reality sets in: you don't know where you will be next year or how long you'll be there for.