I sang in a rock band when I was training as a lawyer. You know, not professional, we just did it for fun. We just did gigs all over Edinburgh and some in Glasgow and some at festivals.
October gave a party; The leaves by hundreds came - The Chestnuts, Oaks, and Maples, And leaves of every name. The Sunshine spread a carpet, And everything was grand, Miss Weather led the dancing, Professor Wind the band.
It is the Band which unites the Interests of Individuals; it secures to them their respective Rights, and preserves them from Injuries; it is the Source of numberless Blessings, which are interrupted, or wholly vanish, the Moment it is disturbed.
The biggest problem in rock journalism is that often the writer's main motivation is to become friends with the band. They're not really journalists; they're people who want to be involved in rock and roll.
A band's only unique thing is its chemistry, especially if none of you are prodigious players or particularly handsome. The one thing you have is your uniqueness, so we hold on to that.
My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.
I grew up with a piano, and my aunt taught me chords. I played with bands in high school and I could do like, C chord, G chord, D chord; really simple, rhythm piano.
The Busted thing happened when I was 16. I saw an opportunity, took it and it was better than being at school. It was a fun job but I'd never claim Busted was anything other than a pop band.
As iconic a band as Metallica has become, I think sometimes we forget just how raw they were in the beginning of their career, and to a 15-year-old kid like me, it was just shattering. I mean, it was beyond.
The Rock and Roll Hall of Fame is a joke - the fact that Madonna is in before Rush and Kiss. Those two bands have influenced so many groups and people other than in metal.
On Jesus' rock, my life abounds; all other floors are slippery grounds. His love for me, is mercy band; any other love is sinking sand.
I don't agree with superstitious routines, but there are a couple of things I'll always do before performing. I'll get together with the band and chill out, and then, just before I go on stage, I'll always check my flies.
Part of the reason that I left the Pumpkins is because it was becoming all-consuming. Being the only member of that band who had two kids and a wife, it was a hard decision, but ultimately it was a decision I'm comfortable with.
I dropped out of school at 17 and joined the Irish band The Frames, getting my first glimpse into the world of professional film making while shooting of a number of rock videos.
Once you hit 40, being in a band - a committee voting constantly on what you're going to be doing next month - it's more of a challenge. And when you have a kid as well.
It's hard to imagine the whole punk movement without The Velvet Underground. I toured with them when they did their reunion tour, and no one sounds like that; they are a very unique-sounding band.
When you're onstage with an electric band going through a massive P.A. system, it's very artificial. You can't really hear your own voice as it comes out of your mouth.
The reason I don't tour is that I don't know how to front a band. What would I do? I can't really play anything well enough to deal with that situation.
It's like, how do you continue to make records that are representative of who you are that your fans will recognize as your band, while still trying to push things forward and present new sounds for people.
I played in the high school band. I was the one baritone saxophone out of 80 other people. No one could tell whether I was hittin' the right notes or the wrong notes.
Most of the stuff I learned to play, I learned in high school. I had a band in high school, a jazz-fusion thing, and I was the keyboard player. I was interested in how the instruments worked and the theory behind playing with them.
