The writing that so thrills and exhilarates you, as if you were dancing right next to the band, is barely audible to anyone else.
I'm a bass player from way back and Paul is a guitar player and we've been in many bands.
I hate bands that hang around, like, 10 years too long - they're like the drunk at a party you can't get rid of.
I've had some really, really wild fun nights in Vegas. I ended up on stage once with this band, The Digital Underground, doing the Humpty Dance.
The Stones were more dangerous than other bands of the Sixties. It looked like they had more fun than the Beatles - like they stayed up later.
As I say, the Animals had a particular concept of themselves as a band. There was an anarchic spirit in it, which was being flattened by commercial designs, attitudes, and needs.
A band is sort of like a star. It reaches a peak and burns out. To have five guys working in perfect harmony longer than a couple years is difficult.
I think it's always a mistake when you start connecting a band to a personality. You begin to limit what you're able to do.
We loved Andy, so we wanted to keep him. He was in both bands, but Nerve Agents broke up.
There is no rule in the pink-triangle guide to coming out that you must wear a rainbow flag cap and organise a full band parade.
I've been in a band, so I understand the politics. Sometimes the bass player doesn't like what the guitar player is doing, and you have to sort of even that out.
We manage to bounce ideas off one another. Every band fights, but at the end of the day, we're very positive about the way we fight. At least we come out with a result.
Angelica rolled the wedding band between her finger and thumb. "It's terrifying, to be on the verge of finally getting what you want.
I was a late bloomer. I was a kinda shy little kid, definitely a child of the dark side. I wanted to play guitar and be in a rock band.
I feel sorry for these kids in bands. Everything is so disposable nowadays. These kids don't even get 15 minutes of fame, it's like a minute and a half.
I sometimes think it's like a weird elastic band. The more tragic your work is, the quicker you snap back. There's a catharsis in telling a miserable old tale; you get rid of demons.
You didn't have to worry that marauding bands would come and seize everything in your factory and hire someone to protect against this because of the work the rest of us did.
There's sort of an open offer to work with a guy in Los Angeles who does big band and orchestra arrangements who was at least an acquaintance to Les Baxter before he passed away.
I play and I've played in heavy bands, but when I write for myself, I don't particularly feel like writing huge rock riffs. It just doesn't work for me and my voice.
I've always wanted to pull off 'No One is to Blame' by Howard Jones. I've done that a couple times in solo shows, but I can't figure out how to do that with a full band and make it work.
There's pride on Bourbon Street for the musicians that work there. They take it very seriously. I've never worked there or played in band there, but it's a part of the city. They play for the tourists and represent a whole different side of the cultu...
