One can be a brother only in something. Where there is no tie that binds men, men are not united but merely lined up.
The whole thing with animated movies is that it's very hard to get out of your head because it's very moving through each line systematically.
Mostly in movies an actor has to come to a mark, an X, and deliver his line - but that's so artificial, that's not how people really behave.
Because I was a champion swimmer in Canada, they're always trying to get me in the water in movies! I've drawn the line now with this film. No more water!
Most movies, once the action starts there's no more characters. You say a couple of dumb lines and then there's just explosions until the end.
I feel like we're going to see a lot more movies that mix documentary style with fiction, more along the lines of 'District 9.'
I watch and listen to movies today and am shocked by the way actors deliver their lines. Everybody mumbles now and I don't understand why.
[last lines] Selena: Do you think he saw us this time?
Spartan King Leonidas: [his last lines] My Queen! My wife. My love...
[first lines] Petite Feuille: Doinel, bring me that. Indeed! Go to the corner!
[last lines] Prison Guard: Check your property. Sign, please.
Genie: [whispers] Psst. Your line is "I'm going to free the Genie." Anytime.
[last lines] Steve Rogers: [to Wanda, James, Sam] AVENGERS...
Jake Sully: Are you out of your goddamn mind? Col. Quaritch: You crossed the line! [punches Jake in the face]
[last lines] Howard Hughes: [repeating over and over again] The way of the future...
[repeated line] David Huxley: I'll be with you in a minute, Mr. Peabody!
Matt: [Last line in the film after Matt has killed Richard] "I don't know."
[last lines] Waiter: Are you on your own, sir? Virgil Oldman: No, I'm waiting for someone.
[last lines] Celine: Baby, you are gonna miss that plane. Jesse: I know.
You have film actors doing TV, rap stars doing TV, with everyone kind of crossing the line.
The expected vertical line of Ikiru's narrative breaks when Kurosawa does a flash-forward in the middle of the film.
