Woman in Telephone Booth: [on the phone at a booth] Morris, you will not believe who is coming down here! [stops Jerry] Woman in Telephone Booth: Jerry Langford, right? Jerry Langford: Right. Woman in Telephone Booth: [talks on the phone again] Oh, M...
Frank Booth: Hey you wanna go for a ride? Jeffrey Beaumont: No thanks. Frank Booth: No thanks? What does that mean? Jeffrey Beaumont: I don't wanna go. Frank Booth: Go where? Jeffrey Beaumont: For a ride. Frank Booth: A ride! Now that's a good idea!
Frank Booth: Here's to Ben! [Frank punches Jeffrey in the face] Frank Booth: Say, "Here's to Ben." Jeffrey Beaumont: [scared to death] Here's to Ben. Frank Booth: Be polite!
Frank Booth: What are you looking at? Jeffrey Beaumont: Nothing. Frank Booth: Don't you look at me, fuck! [whispering] Frank Booth: I shoot when I see the whites of the eyes.
Frank Booth: Who are you? Jeffrey Beaumont: I'm... just a neighbor. Frank Booth: What's your name, neighbor? Jeffrey Beaumont: Jeffrey. Dorothy Vallens: He's a good kid, Frank. Frank Booth: [to Dorothy] Shut the fuck up!
Annoying Man at Phone Booth: Excuse me... Hey, EXCUSE ME. I don't know if you have noticed it or not, but there are other people waiting to use the phone here. Bill Foster: There are? Annoying Man at Phone Booth: Yeah. Bill Foster: There's other peop...
Raymond: He's a pussy, Frank! Frank Booth: Yeah, but he's our pussy. [Looks at Dorothy] Frank Booth: Ain't that right, tits?
Frank Booth: What kind of beer do you like? Jeffrey Beaumont: Heineken. Frank Booth: [shouting] Heineken? Fuck that shit! Pabst Blue Ribbon!
Douglas Quaid: [an old woman/luggage thief grabs the briefcase left on sidewalk for Quaid] Sorry, Ma'am, but this is mine. Woman in Phone Booth: [struggling with him] I don't see your name on it! Douglas Quaid: Someone lent it to me. [continues to st...
Frank Booth: We got to go to Ben's, right? Paul: Right, we've got to see Ben. Frank Booth: Oh yeah, we got to, got to, got to, got to.
The BBC's television, radio and online services remain an important part of British culture and the fact the BBC continues to thrive amongst audiences at home and abroad is testament to a professional and dedicated management team who are committed t...
When considering a candidate for office, almost right up until they enter the polling booth and sometimes even in the booth itself, most voters rely more on what they see and hear themselves in real time than on facts, history, logic, or learned expe...
When I take on a design project, I have to jet from the bookstore to the hardware shop to the lamp store and back again just to collect a small portion of the many items I need to fill a home. But, when you hit the flea market, they're all right ther...
George McFly: [deleted scene] [after looking at his watch George rushes to the phone booth and calls the operator] George McFly: Operator! Operator, can you give me the time? [a few students come and block him in the phone booth with a trident] Georg...
Frank Booth: Let's hit the fuckin' road! We're giving our neighbor a joyride! Let's get on with it! Bye, Ben. Anyone want to go on a joyride with us? How about you, huh? [to Dorothy] Frank Booth: Hey, what's this? No smile for Frank? No? All right, f...
Frank Booth: Don't be a good neighbor to her. I'll send you a love letter, Frank Booth: [shouting] straight from my heart, fucker! You know what a love letter is? It's a bullet from a fucking gun, fucker! You receive a love letter from me, you're fuc...
The thing that's cool about the recording booth is that it's so perfunctory, so cut-to-the-chase.
She was so small she could make mamba in a telephone booth.
[repeated line] Frank Booth: Now it's dark...
Frank Booth: The candy-colored clown they call the Sandman.
[looking at Jeffrey] Frank Booth: You're like me.
